In this article, we will explore the impact that The Cornwall has had on contemporary society. The Cornwall has become a topic of growing interest in recent years, since its influence covers different areas of daily life. Since its emergence, The Cornwall has generated debate and controversy, as well as driving significant changes in the way people perceive and experience the world around them. Throughout these pages, we will analyze the various facets of The Cornwall, examining its implications on culture, politics, technology, economics, and people's personal lives. Using a multidisciplinary approach, this article seeks to shed light on the profound impact The Cornwall has had on modern society.
The Cornwall | |
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![]() The Cornwall as seen from across Broadway. A diner occupies most of the Broadway-facing part of the first floor. | |
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Alternative names | Cornwall Apartments |
General information | |
Type | Housing cooperative |
Address | 251-257 West 90th Street, Upper West Side, Manhattan, New York City, U.S. |
Coordinates | 40°47′28″N 73°58′29″W / 40.7912°N 73.9748°W |
Completed | 1909 |
Height | 135 feet (41 m) |
Technical details | |
Floor count | 12 |
Design and construction | |
Architecture firm | Neville & Bagge |
Developer | Arlington C. Hall, Harvey M. Hall |
References | |
[1] |
The Cornwall, at 255 West 90th Street, is a luxury residential cooperative apartment building on the Upper West Side of Manhattan, New York City. Located on the northwest corner of Broadway and 90th Street, it was designed by Neville & Bagge and erected in 1909. The developers were Arlington C. Hall and Harvey M. Hall.[2] The twelve-story brick and stone building is noted for its elaborate balcony and window detail, and the "spectacular" design of its "extraordinary" ornate Art Nouveau cornice, which the AIA Guide to New York City called "a terra-cotta diadem."[3][4] In 1991, the building's owner-occupants paid $600,000 to have the cornice and ornamented balconies replaced with terra cotta replicas of the originals.[5]
Notable residents include New York Times "Streetscape" columnist and architectural historian Christopher Gray.[6]