The topic of Tell England (film) has been the subject of study and debate for decades. The importance of Tell England (film) in modern society is undeniable, and its impact is reflected in virtually every aspect of daily life. From its role in history to its relevance in the contemporary world, Tell England (film) has proven to be a crucial element in the construction of identity and the development of humanity. Over time, Tell England (film) has evolved and its meaning has been reinterpreted in different contexts, which has generated endless reflections and analysis. In this article, we will explore the multiple dimensions of Tell England (film) and its influence on our current society.
Tell England | |
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Directed by | |
Written by |
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Produced by | H. Bruce Woolfe |
Starring |
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Cinematography |
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Edited by | Mary Field |
Music by | Hubert Bath |
Production company | |
Distributed by | Wardour Films |
Release date |
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Running time | 80 minutes |
Country | United Kingdom |
Language | English |
Tell England is a 1931 British drama film directed by Anthony Asquith and Geoffrey Barkas and starring Fay Compton, Tony Bruce and Carl Harbord.[1] It is based on the 1922 novel Tell England by Ernest Raymond which featured two young men joining the army, and taking part in the fighting at Gallipoli.[2] Both directors had close memories of Gallipoli, as did Fay Compton's brother, Compton Mackenzie. Asquith's father H. H. Asquith had been Prime Minister at the time of the Gallipoli Landings, a fact which drew press attention to the film, while Barkas had fought at Suvla Bay in the Gallipoli campaign.
In the United States it was released under the alternative title The Battle of Gallipoli.
The film had originally been intended to be made as a silent film, but was delayed. It was made at Welwyn Studios using the German Klangfilm process. Much of the film was shot on location in Malta, standing in for Gallipoli.