In this article we will explore the fascinating world of Tailgunner (album), a topic that has captured the attention of people of all ages and places. From its impact on society to its influence on academia, Tailgunner (album) has sparked great interest and curiosity in all types of individuals. Throughout these pages, we will analyze different aspects of Tailgunner (album), from its origins to its evolution today. Get ready to embark on an exciting journey through Tailgunner (album) and discover everything this theme has to offer!
Tailgunner | ||||
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Studio album by | ||||
Released | 1977 | |||
Recorded | May 1977 | |||
Studio | Media Sound, A&R Recordining Inc and ODO Sound Studios | |||
Genre | Jazz | |||
Length | 35:26 | |||
Label | Lester Radio Corp. (LRC) LRC-9316 | |||
Producer | Sonny Lester | |||
Jimmy McGriff chronology | ||||
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Tailgunner is an album by organist Jimmy McGriff recorded in 1977 and released on the Lester Radio Corp. (LRC) label.[1][2][3]
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Doug Payne stated: "This 1977 disco production sounds like Jimmy McGriff was added as an afterthought. His distinctive organ fills seem "dropped in" after arrangers Brad Baker and Lance Quinn recorded the rhythm, horn and string sections. Worse, this is some of the weakest music McGriff has ever participated in ... McGriff's only contribution here, the horn-driven "Starlite Ballroom" (featuring notable alto and tenor solos from George Young), makes for some welcome, though out-of-place swing jazz. Otherwise, there's too little that's memorable about Tailgunner.[5]
All compositions by Brad Baker and Lance Quinn except where noted