In today's world, Sweat Band is a topic of great interest and relevance that has captured the attention of people of all ages and sectors of society. Its impact has been felt in different spheres, from politics to popular culture, and its influence shows no signs of diminishing. In this article, we will explore in depth the importance and scope of Sweat Band, analyzing its implications and consequences in various areas. From its origins to its evolution today, Sweat Band has generated debate and controversy, making it essential to understand its nature and its impact on contemporary society.
Sweat Band | |
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Studio album by Sweat Band | |
Released | 1980 |
Recorded | 1980 |
Genre | Funk |
Length | 41:44 |
Label | Uncle Jam/CBS |
Producer | Bootsy Collins |
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | C+[2] |
Sweat Band is the 1980 debut album by the P-Funk spin off act the Sweat Band. The album was the first official release on the Uncle Jam Records label, formed by George Clinton and his business manager Archie Ivy, and distributed by CBS Records. The band was formed by P-Funk bassist Bootsy Collins after losing the rights to the name Rubber Band to a folk music group of the same name. The album features many of the same musicians and singers from Bootsy's Rubber Band. The album was released during the same week as Ultra Wave, Collins' fifth album for Warner Bros. Records.
The album was produced by Bootsy Collins, while George Clinton serves as executive producer. The album was reissued on CD by CBS/Sony Records in Japan on May 21, 1994, but quickly went out of print soon after.
Art Direction/Photography: Diem Jones