Stage Struck (1936 film)'s theme is one that has captured the attention of many people over the years. Since his appearance on the public scene, Stage Struck (1936 film) has been the subject of debate, study and interest by experts and fans alike. Its impact on society and daily life is undeniable, and its relevance continues to be a cause for reflection in various spheres. In this article, we will explore the different facets of Stage Struck (1936 film), from its history to its influence on the world today, with the aim of providing a complete and up-to-date overview of this fascinating topic.
Stage Struck | |
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Directed by | Busby Berkeley |
Written by | Tom Buckingham Pat C. Flick Robert Lord Warren Duff |
Produced by | Robert Lord Hal B. Wallis |
Starring | Dick Powell Joan Blondell Warren William |
Cinematography | Byron Haskin |
Edited by | Thomas Richards |
Music by | Heinz Roemheld (Songs by Harold Arlen & Yip Harburg |
Production company | |
Distributed by | Warner Brothers |
Release date |
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Running time | 91 minutes |
Country | United States |
Language | English |
Stage Struck is 1936 American musical comedy film directed by Busby Berkeley and starring Dick Powell, Joan Blondell and Warren William.[1] It was produced and distributed by Warner Brothers. The film's sets were designed by the art director Robert M. Haas.
Director George Randall is producing a new Broadway revue featuring Peggy Revere, who is only cast because she is the wealthy backer of the show. The two clash incessantly during rehearsal, leading producer Fred Harris to convince her that this is because they are secretly in love with each other.