In today's article we will delve into the fascinating world of Siltbreeze. Since its inception, Siltbreeze has been the subject of interest and study, capturing the attention of those seeking to further understand its nuances and complexities. Throughout history, Siltbreeze has been the protagonist of countless debates, discussions and reflections, being a topic that encompasses a wide range of perspectives and approaches. With so much to discover and analyze, it is evident that Siltbreeze continues to be a topic of relevance today, sparking the interest of academics, enthusiasts and the curious alike. In this article, we will explore the highlights of Siltbreeze, diving into its history, evolution, and its impact on various areas of society.
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Siltbreeze is an American independent record label based in Philadelphia. It is known for its eclectic roster of artists and releases of experimental, noise, folk, and rock-based music. Founded in 1989 by Ohio native Tom Lax, the label evolved out of a zine of the same name which he published from 1987 until 1992.[1] The first label release was a Halo of Flies EP, and soon after, Lax produced a steady stream of record releases by the Dead C, the Gibson Bros., Sebadoh, the Strapping Fieldhands, Harry Pussy, Jim Shepard, and Mike Rep among others throughout the early and mid 1990s.
The label slowed its output toward the later 1990s until the mid and late 2000s. This proved to be a second boom for the label, during which Lax released records by a new crop of artists including Times New Viking, Sic Alps, Pink Reason, Psychedelic Horseshit, U.S. Girls, and Eat Skull.