In today's world, Silks and Saddles (1929 film) has become a topic of great importance and interest to a wide spectrum of people. From amateurs to experts, Silks and Saddles (1929 film) has captured attention and generated debate in multiple areas of society. Its impact has transcended geographical and cultural barriers, being the object of study and analysis in different disciplines. In this article, we will explore various aspects related to Silks and Saddles (1929 film), from its origin and evolution to its implications and possible future developments. Whether it is a historical phenomenon, a relevant figure or a current topic, Silks and Saddles (1929 film) represents a meeting point for the exchange of ideas and knowledge, and it is necessary to understand it in its entirety to contextualize its relevance in our society.
Silks and Saddles | |
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Directed by | Robert F. Hill |
Screenplay by | Edward Clark James Gruen Paul Gangelin Faith Thomas J.G. Hawks Albert DeMond |
Story by | Gerald Beaumont |
Starring | Richard Walling Marian Nixon Sam De Grasse Montagu Love Mary Nolan Otis Harlan |
Cinematography | Joseph Brotherton |
Edited by | Daniel Mandell |
Production company | |
Distributed by | Universal Pictures |
Release date |
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Running time | 60 minutes |
Country | United States |
Language | English |
Silks and Saddles is a 1929 American pre-Code drama film directed by Robert F. Hill and written by Edward Clark, James Gruen, Paul Gangelin, Faith Thomas, J.G. Hawks and Albert DeMond. The film stars Richard Walling, Marian Nixon, Sam De Grasse, Montagu Love, Mary Nolan and Otis Harlan. The film was released on January 20, 1929, by Universal Pictures.[1][2][3]
![]() | This article needs a plot summary. (January 2024) |
The film is preserved at UCLA Film and Television Archive.[4]