Senza sangue

In today's world, Senza sangue has become a topic of utmost importance and relevance for different areas and sectors. Its impact has been notable in society, the economy, politics, culture and in people's daily lives. Since its emergence, Senza sangue has generated endless debates, discussions and analyzes that have allowed us to understand its scope and impact in today's world. In this article, we will explore in detail the different edges and aspects related to Senza sangue, analyzing its evolution over time, its current implications and challenges, as well as its possible future developments. It will examine how Senza sangue has transformed the way we think, act and relate, as well as the opportunities and challenges it represents for the future.

Senza sangue
Opera by Péter Eötvös
The composer
TranslationWithout blood
LibrettistMari Mezei
Based onSenza sangue (2002)
by Alessandro Baricco
Premiere
15 May 2016 (2016-05-15)
Festival d'Avignon

Senza sangue (Without blood) is a one act opera and the fourth opera composed[1] by Péter Eötvös. The opera's libretto was written by Mari Mezei, and is sung in Italian. It is based on the second part of the 2002 novel of the same name by Alessandro Baricco and is intended to be performed jointly with Béla Bartók's one-act Bluebeard's Castle.[2] The concert première was given by the New York Philharmonic conducted by Alan Gilbert on 1 May 2015 at the Kölner Philharmonie.[3] The stage premiere was on 15 May 2016 at the Festival d'Avignon.[3] Anne Sofie von Otter, who sang in the work's première, said: "The piece is not at all easy for the two singers... hard to find the pitch; you have to work it into the voice, unless of course you happen to have perfect pitch, which I don't."[4]

Roles

Roles, voice types, premiere cast
Role Voice type Premiere cast, 1 May 2015, Cologne[3]
Conductor: Alan Gilbert
La Donna (Nina) mezzo-soprano Anne Sofie von Otter
L'Uomo (Pedro) lyric baritone Russell Braun

Synopsis

The opera is set in the time of a civil war in an unnamed country. As a little girl, the Woman witnesses three soldiers kill her father and brother, but one of them, the Man, spares her life by not reporting he has seen her hiding. The opera opens years later, after two of the murderers have died in ways that suggest they might have been killed in revenge for their wartime actions, perhaps engineered by the Woman. Now middle-aged and wealthy, she recognizes an elderly man selling lottery tickets as the Man. He expects her to avenge her father's and brother's deaths, but they instead discuss the events of their lives "recalled through strained, cagey conversation" and Nina reveals that she was forcibly married at 14. The opera ends as they prepare to sleep together.[5]

Structure

The opera is divided into seven scenes, with an orchestral introduction and epilogue. The introduction is dedicated to Henri Dutilleux who died in 2013 as Eötvös was composing the work.

References

  1. ^ Fonseca-Wollheim, Corinna da (24 April 2015). "Peter Eotvos Prepares the Opera 'Senza Sangue'". New York Times. Retrieved 17 November 2016.
  2. ^ "Eötvös' Senza Sangue: at last, a real partner for Bluebeard's Castle". Bachtrack. Retrieved 17 November 2016.
  3. ^ a b c Work details, Schott Music
  4. ^ Walls, Seth Colter (8 May 2015). "Senza Sangue and the New York Philharmonic: 'It's a very intense piece'". The Guardian. ISSN 0261-3077. Retrieved 17 November 2016.
  5. ^ Tommasini, Anthony (10 May 2015). "Review: A Peter Eotvos Premiere and Schubert at the New York Philharmonic". New York Times. Retrieved 2 April 2024.
  • "Vértelenül" [improper blood], by Anna Belinszky, 27 April 2015 (in Hungarian); translation/adaptation of "Peter Eotvos Prepares the Opera 'Senza Sangue'", New York Times, cited above