In this article, we will explore the impact of Screenland on different aspects of society. From his contributions in the scientific field to his influence on popular culture, Screenland has left his mark in countless fields. Throughout history, Screenland has been the object of debate and admiration, generating conflicting opinions and arousing the curiosity of millions of people around the world. In this sense, it is fascinating to analyze how Screenland has shaped the world we know today, as well as the implications its legacy has for the future. Therefore, this article aims to address the transversal impact that Screenland has had on society, providing a comprehensive vision of its relevance and significance.
![]() Joan Blondell on July 1939 cover | |
Categories | Film Entertainment |
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First issue | 1920[1] |
Final issue | 1971 |
Company | Screenland Publishing Company (1920–1923)[2] Magazine Builders Henry Publishing Pines Publications (1952–1971) |
Country | United States |
Language | English |
Screenland was a monthly American magazine about movies, published between September 1920 and June 1971,[3] when it merged with Silver Screen. In the September 1952 issue, the name changed to Screenland plus TV-Land.
It was established in Los Angeles, California, with Myron Zobel as the editor in 1920 by Screenland Publishing Company.[4]
Frederick James Smith became the editor in 1923 when it moved to Cooperstown, New York. In 1923, the magazine reported a love affair between Evelyn Brent and Douglas Fairbanks, resulting in legal threats, and a retraction.[5]
In 1924, the magazine was taken over by Magazine Builders; Myron Zobel was the publisher and Frank Armer was the treasurer.[4] At that same time, Harry Donenfeld (through his Elmo Press formed in 1924) did the printing of the magazine.[6]
One magazine-collector site credits, without attribution, one Paul Hunter, "with rescuing Screenland magazine for John Cuneo back in 1932."[7]
In October 1952, Ned Pines' Standard Magazines,[a] an imprint of Pines Publications, purchased Silver Screen and Screenland from the Henry Publishing company.[8] Pines announced in June 1954 that he was suspending publication with the August 1954 issue, citing production and distribution costs.[9] The magazine continued publication through 1971, however.
Pines Publications, Inc., is suspending publication of Screenland, Silver Screen and True Life Stories, effective with the August issues. The magazine continued to be published however. Spiraling production and distribution costs are the reason, says Ned Pines, publisher