Sasando
In this article, we are going to explore in detail Sasando and its impact on today's society. From its origins to its relevance today, Sasando has been the subject of debate and analysis in various areas. Whether through his contributions in the field of science, politics, technology or the arts, Sasando has left an indelible mark on history. Over the next few lines, we will examine its various facets and how it has shaped the world we live in. Additionally, we will discuss the implications of Sasando in the future and how it is influencing generations to come. Join us on this journey to further understand the impact of Sasando on our society.
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 Man playing Sasando | |
| Classification | String Instruments |
|---|---|
| Inventor(s) | Rotenese people |
| Developed | Indonesia |
| Related instruments | |
| Indonesian Traditional Instruments | |
The sasando, also called sasandu from Sandu or Sanu,[1] is a tube zither, a harp-like traditional music string instrument native to Rote Island of East Nusa Tenggara, Indonesia.
The name sasando is derived from the Rote dialect word ”sasandu”, which means "vibrating" or "sounded instrument". It is believed that the sasando had already been known to the Rote people since the 7th century.[2]
The main part of the sasando is a bamboo tube that serves as the frame of the instrument. Surrounding the tube are several wooden pieces serving as wedges where the strings are stretched from the top to the bottom. The function of the wedges is to hold the strings higher than the tube surface and also to produce various lengths of strings so it can create different musical notations. The stringed bamboo tube is surrounded by a bag-like fan of dried lontar or palmyra leaves (Borassus flabellifer), which functions as the resonator of the instrument.[3] The sasando is played with both hands reaching into the stings of the bamboo tube through opening on the front. The player's fingers then pluck the strings in a fashion similar to playing a harp or kacapi.
The sasando can have 28 (sasando engkel) or 56 strings (double strings).
Legend
According to local tradition, the origin of the sasando is linked to the folktale of the Rote people about Sangguana.[4] The story goes that there once was a boy named Sangguana who lived on Rote Island. One day, as he tended to savannah, he felt tired and fell asleep under a palmyra tree. Sangguana dreamt that he played beautiful music with a unique instrument whose sound and melody were so enchanting. When he woke up, surprisingly, Sangguana could still remember the tones he played in the dream. Wanting to hear it one more time, he tried to fall asleep again. Again, he dreamt of the same song and the same instrument. Sangguana was enjoying his dream, but eventually, he had to wake up. Not wanting to lose the beautiful sounds from his dream, Sangguana tried to recreate the sounds and quickly created a musical instrument from palmyra leaves with the strings in the middle, based on his memory from the dream, which became the basis of the sasando.
See also
The following are tube zithers from other countries. They are similar in being made from bamboo, originally having strings cut from the bamboo itself. Some, like the sasando, have been changed in the last century to use new materials, such as wires attached to pegs. Unlike the sasando, none have the leaves to direct the sound.
References
- ^ "Tube Zither (Sesando or Sasandu), late 19th century". The Metropolitan Museum of Art. 2013. Archived from the original on 2011-01-18. Retrieved December 29, 2013.
- ^ ASEAN (2020-08-08). "What is Sasando? Where did it come from? How to play it?". indonesiar - Indonesia negeriku, orangnya lucu-lucu. Retrieved 2021-04-26.
- ^ [dead link]
- ^ "Sasando, When Melody-Bass-Rhythm Collide in Harmony". 21 February 2011. Archived from the original on 2011-02-21. Retrieved 20 April 2021.
External links
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