Salvador Díaz Mirón

In this article, we are going to address the topic of Salvador Díaz Mirón, which has captured the attention of many in recent times. Salvador Díaz Mirón is a topic that has generated controversy and debate, arousing great interest both in the academic community and in society in general. Throughout this article, we will explore the different aspects related to Salvador Díaz Mirón, from its origin and evolution, to its impact in different areas. Additionally, we will analyze the possible implications and consequences that Salvador Díaz Mirón may have in the future. Without a doubt, Salvador Díaz Mirón is a topic that deserves deep reflection and analysis, so it is crucial to increase our understanding of it.

Salvador Díaz Mirón
Salvador Díaz Mirón's tomb
Díaz Mirón's tomb
BornSalvador Antonio Edmundo Espiridión y Francisco de Paula Díaz Ibáñez
(1853-12-14)14 December 1853
Veracruz, Mexico
Died12 June 1928(1928-06-12) (aged 74)
Veracruz, Mexico
OccupationWriter, politician, journalist
NationalityMexican

Salvador Díaz Mirón (December 14, 1853 – June 12, 1928) was a Mexican poet. He was born in the port city of Veracruz. His early verse, written in a passionate, romantic style, was influenced by Lord Byron and Victor Hugo. His later verse was more classical in mode. His poem, A Gloria, was influential. His 1901 volume Lascas ("Chips from a Stone") established Diaz Mirón as a precursor of modernismo.[1] After a long period of exile, he returned to Mexico and died in Veracruz on June 12, 1928.

Work

  • The Mexican Parnassus (1886)
  • Poetry (New York, 1895)
  • Poems (Paris, 1900)
  • Flakes (Xalapa, 1901 with several reprints)
  • Poems (1918)
  • Complete Poems (UNAM, with notes of Antonio Castro Leal, 1941)
  • Collection of poems (UNAM 1953)
  • Prosas (1954)

Notes