In this article, we are going to address the topic of Salvador Díaz Mirón, which has captured the attention of many in recent times. Salvador Díaz Mirón is a topic that has generated controversy and debate, arousing great interest both in the academic community and in society in general. Throughout this article, we will explore the different aspects related to Salvador Díaz Mirón, from its origin and evolution, to its impact in different areas. Additionally, we will analyze the possible implications and consequences that Salvador Díaz Mirón may have in the future. Without a doubt, Salvador Díaz Mirón is a topic that deserves deep reflection and analysis, so it is crucial to increase our understanding of it.
![]() | You can help expand this article with text translated from the corresponding article in Spanish. (September 2012) Click for important translation instructions.
|
Salvador Díaz Mirón | |
---|---|
Díaz Mirón's tomb | |
Born | Salvador Antonio Edmundo Espiridión y Francisco de Paula Díaz Ibáñez 14 December 1853 Veracruz, Mexico |
Died | 12 June 1928 Veracruz, Mexico | (aged 74)
Occupation | Writer, politician, journalist |
Nationality | Mexican |
Salvador Díaz Mirón (December 14, 1853 – June 12, 1928) was a Mexican poet. He was born in the port city of Veracruz. His early verse, written in a passionate, romantic style, was influenced by Lord Byron and Victor Hugo. His later verse was more classical in mode. His poem, A Gloria, was influential. His 1901 volume Lascas ("Chips from a Stone") established Diaz Mirón as a precursor of modernismo.[1] After a long period of exile, he returned to Mexico and died in Veracruz on June 12, 1928.