In this article, we will explore the topic of Sackville Gallery from a broad and multidisciplinary perspective. Sackville Gallery is a topic that has sparked interest and debate in various areas of society, from politics to popular culture. Throughout history, Sackville Gallery has played a crucial role in shaping our social, economic and cultural reality. Through this analysis, we will seek to understand the complexities and dimensions of Sackville Gallery, as well as its impact on our lives. From its origins to its current relevance, this article will delve into the different facets of Sackville Gallery and how it has shaped the world we inhabit.
The Sackville Gallery was an art gallery at 28 Sackville Street, London, best known for hosting the exhibition of Futurist art in 1912.[1]
The gallery opened in May 1908.[2] It was owned and run by Max Rothschild and Robert René Meyer-Sée[3] until Meyer-Sée left to run the Marlborough Gallery in August 1912. The gallery specialised in the sale of old master works and the Futurist exhibition was untypical of its activities.[2]
The gallery closed in 1939.