In today's world, Rough Boy has become a topic of great relevance and interest to a wide spectrum of people in different fields. Its impact extends globally, affecting society, the economy, politics, culture and technology. The increasing attention that Rough Boy receives reflects its importance in the contemporary world and its many implications for the future. In this article, we will explore different aspects related to Rough Boy, analyzing its influence and the various perspectives that exist around this topic. From its origin to its current evolution, Rough Boy continues to generate debates and deep reflections that invite us to rethink our role in today's world.
"Rough Boy" | ||||
---|---|---|---|---|
![]() | ||||
Single by ZZ Top | ||||
from the album Afterburner | ||||
B-side | "Delirious" | |||
Released | March 1986 | |||
Recorded | 1985 | |||
Genre | ||||
Length |
| |||
Label | Warner Bros. | |||
Songwriter(s) | ||||
Producer(s) | Bill Ham | |||
ZZ Top singles chronology | ||||
| ||||
Music video | ||||
"Rough Boy" on YouTube |
"Rough Boy" is a song by the American rock band ZZ Top. It was released by Warner Bros. Records in the US in March 1986, as the third single from their ninth studio album, Afterburner. The song reached No. 5 on the Album Rock Tracks chart[1] and No. 22 on the Billboard Hot 100,[2] as well as No. 23 on the UK Singles Chart.[3] Unlike the other songs on the album, this song has a much slower tempo and is more of a power ballad. It also shares a similar tune to their song "Leila", from their seventh studio album, El Loco.
Dusty Hill said in 2007, "'Rough Boy' is a pretty li'l song. We're doin' it this tour. We pulled it back out. I like that song so much, I had it played at my wedding."[4]
Cash Box called it a "rapturous teen ballad" in which "the band turns its leather-tough into pure silk."[5]
The music video (directed by Steve Barron[6]) features the band's "Eliminator" car/spaceplane hybrid (from the Afterburner album cover) visiting a space car wash, interspersed with images of the band members' hands and faces, as well as a woman's legs, protruding from metal plates, some of which double as lighted message signs or crosswalk signals.
|
|