Today, Real Fiction is a topic that generates great interest and controversy in society. From different perspectives, various arguments can be found for and against Real Fiction, which has led to extensive debate in different areas. Whether on a personal, political, social or economic level, Real Fiction has managed to position itself as a relevant topic that deserves to be analyzed in depth. In this article, we will explore different aspects of Real Fiction, from its origin and evolution to its possible implications in the future.
Real Fiction | |
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![]() Theatrical poster | |
Korean name | |
Hangul | 실제 상황 |
Hanja | |
Revised Romanization | Siljae Sanghwang |
McCune–Reischauer | Silche Sanghwang |
Directed by | Kim Ki-duk |
Written by | Kim Ki-duk |
Produced by | Harry Lee Shin Seung-soo |
Starring | Joo Jin-mo Kim Jin-ah Son Min-seok |
Cinematography | Hwang Cheol-hyeon |
Edited by | Kyung Min-ho |
Music by | Jeon Sang-yun |
Distributed by | Shin Seung-soo Productions |
Release date |
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Running time | 82 minutes |
Country | South Korea |
Language | Korean |
Real Fiction (Korean: 실제 상황; RR: Silje Sanghwang; lit. State of Reality) is a 2000 crime-drama film from South Korean director Kim Ki-duk. It stars Joo Jin-mo, Kim Jin-ah and Son Min-seok. It was shot entirely in real-time, with no retakes, on a mixture of low quality video and purposefully "dirtied" film. The film was entered into the 23rd Moscow International Film Festival.[1]
Real Fiction follows a South Korean artist as he systematically seeks out, and then kills his real or imagined enemies.