Ranjit Bolt
In this article, we will explore the fascinating world of Ranjit Bolt. From its origins to its impact on modern society, Ranjit Bolt has been a topic of interest to numerous researchers and enthusiasts. Over the years, Ranjit Bolt has evolved and adapted to cultural, technological and political changes, leaving an indelible mark on history. Through this article, we will delve into the most relevant aspects of Ranjit Bolt, offering a complete and detailed vision that allows readers to better understand its importance and relevance in the contemporary world.
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Ranjit Bolt OBE (born 1959)[1] is a British playwright and translator. He was born in Manchester of Anglo-Indian parents and is the nephew of playwright and screenwriter Robert Bolt.[2][3][4] His father is literary critic Sydney Bolt, author of several books including A preface to James Joyce, and his mother has worked as a teacher of English.[4]
Life and career
Bolt was educated at The Perse School and Balliol College, Oxford. He worked as a stockbroker for eight years but "was desperate to escape, any escape route would have done, and translating turned out to be the one".[2] As well as his plays, he has published a novel in verse, Losing it[5] and a verse translation for children of the fables of La Fontaine, The Hare and the Tortoise. His version of Cyrano de Bergerac opened on New York at the Roundabout Theatre in September 2012, with Douglas Hodge in the title role. His adaptation of Volpone for Sir Trevor Nunn, was produced by the Royal Shakespeare Company in the summer of 2015.
He was awarded the OBE in 2003 for services to literature.
Views
Asked about his approach to translating plays, he has said:[2]
I try to follow the rule laid down by perhaps the greatest translator of all, John Dryden, who maintained that a translator should – and I paraphrase – make the version as entertaining as possible, while at the same time remaining as faithful as possible to the spirit of the original.
In August 2014, Bolt was one of 200 public figures who were signatories to a letter to The Guardian opposing Scottish independence in the run-up to September's referendum on that issue.[6]
Publications
Bolt has translated many classic plays into English, most of them into verse. Among his works are:
- L'Invitation au Chateau (aka, Invitation to the Castle and Ring Round the Moon) by Jean Anouilh
- Three Sisters from the play by Anton Chekhov
- The Bacchae by the play by Euripides
- The Liar (1989) from Le Menteur by Pierre Corneille
- The Illusion (1990) from L'Illusion Comique by Pierre Corneille
- The Real Don Juan (1990) from Don Juan Tenorio by José Zorrilla y Moral
- Tartuffe (1991 and 2002) from the play by Molière
- Lysistrata (1993) from the play by Aristophanes
- The Venetian Twins (1993) from the play by Carlo Goldoni
- Le Cid (1994) from the play by Pierre Corneille
- The Miser (1995) from L'Avare by Molière
- The Oedipus Plays (1996)
- The Art of Seduction (1997) from La Double Inconstance by Pierre Marivaux
- Cyrano de Bergerac (1995) from the play by Edmond Rostand
- The Resistible Rise of Arturo Ui (2005) from the play by Bertolt Brecht
- The Marriage of Figaro (2006) from the play by Pierre Beaumarchais
- Merry Wives - The Musical (2006) from The Merry Wives of Windsor by William Shakespeare
- Mirandolina (2006) from The Mistress of the Inn the play by Carlo Goldoni
- The Grouch (2008) from Le Misanthrope by Molière
- Waltz of the Toreadors from the play by Jean Anouilh
- Believe it or not from Le Puff by Eugène Scribe
- George Dandin from the play by Molière
- Hercules from the work by Seneca
- The Idiot from L'Étourdi by Molière
- Scapin from Les Fourberies de Scapin by Molière
- The School for Wives from the play by Molière
- The Sisterhood from Les Femmes Savantes by Molière
- A Flea In Her Ear from the play by Georges Feydeau
- "Much Ado About Nothing" by William Shakespeare, adapted and translated in a modern version by Bolt
- "Three Men In A Boat" Adaptation by Ranjit Bolt, book and lyrics for a musical. (Based on Three Men In A Boat by Jerome K Jerome)
- "Celimene And The Cardinal" from "Célimène et le cardinal" by Jacques Rampal*
- "Rhinoceros" (from Rhinocéros/the play by Eugène Ionesco)
- Bolt, Ranjit (2001). Losing it: an adult fairytale for those who're tired of fairytales in prose. John Murray. ISBN 071956025X.
- Bolt, Ranjit (2006). The hare and the Tortoise and other fables of La Fontaine. Giselle Potter (illustrator). Barefoot Books. ISBN 1905236530.
- A Knight with a Big Blue Balloon. Collection of jokes and wordplay. Published by Gibson Square.
- A Lion Was Learning To Ski. Limericks. Published by Gibson Square.
- The Art Of Translation. Published by Oberon Books, 2010.
Performances of his work
In 2014 he wrote an English version of the text for Mozart's comic opera, The Impresario, which was given by The Santa Fe Opera in Santa Fe, New Mexico in a double bill paired with Igor Stravinsky's The Nightingale.[7] In 2017, his Tartuffe was performed at Stratford Festival in Stratford, Ontario.
References
Notes
- ^ Background and works on doollee.com
- ^ a b c Programme notes for The Grouch, West Yorkshire Playhouse February 2008
- ^ Indiana University Bloomington. "Ranjit Bolt, the translator/adaptor, and Aristophanes, the comic playwright". Archived from the original on 26 December 2007. Retrieved 23 February 2008.
- ^ a b Royal Shakespeare Company. "Q & A with Ranjit Bolt" (PDF). Archived from the original (PDF) on 21 February 2007. Retrieved 23 February 2008.
- ^ Peter Forbes, "Latin Lovers", , The Guardian, (London), 16 June 2001. Accessed 23 February 2008
- ^ "Celebrities' open letter to Scotland – full text and list of signatories | Politics". theguardian.com. 7 August 2014. Retrieved 26 August 2014.
- ^ James Keller, "Songbirds at the Opera: The Impresario and Le rossignol", The Santa Fe New Mexican, 18 July 2014
Other sources
- Michael Billington, "Comic timing", The Guardian (London) 16 October 2006
External links
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