Ragtime (I)

Ragtime (I) is a topic that has captured the attention of millions of people around the world. With its relevance in today's society, it is crucial to understand its impact and importance in different aspects of daily life. From its influence on culture to its role in the global economy, Ragtime (I) has proven to be a topic of great interest to people of all ages and backgrounds. This article will explore various perspectives on Ragtime (I), offering readers a comprehensive and detailed view of its relevance in today's world.

1960 ballet by George Balanchine

This article is about George Balanchine's 1960 ballet. For Balanchine's 1966 ballet to the same music, see Ragtime (II).

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Ragtime" I – news · newspapers · books · scholar · JSTOR (February 2018) (Learn how and when to remove this message)

Ragtime (I) is the second of three ballets made by New York City Ballet's co-founder and balletmaster George Balanchine to Igor Stravinsky's 1918 Ragtime for Eleven Instruments; with scenery by Robert Drew previously used for Lew Christensen's 1947 work for Ballet Society, Blackface; costumes by Karinska and lighting by David Hays. The premiere took place on December 7, 1960, at City Center of Music and Drama, conducted by Robert Irving, as part of a quartet of works titled Jazz Concert, together with dances by Todd Bolender's Creation of the World, Francisco Moncion's Les biches and John Taras' Ebony Concerto. Balanchine's 1966 Ragtime (II) was also made for City Ballet; his previous ballet to Stravinsky's Ragtime was one of a number of "informal little things" made in St. Petersburg in 1922.^[1]

Original cast

• Diana Adams
• Bill Carter

Notes

1. ^ New York City Center, Playbill I:10, December 2, 1957

This ballet-related article is a stub. You can help Wikipedia by expanding it.

• v
• t
• e