Prelude and fugue

In today's world, Prelude and fugue is a topic that has acquired unprecedented relevance. Its impact extends to all areas of daily life, from politics to popular culture, through technology and society. With the passage of time, Prelude and fugue has become a phenomenon that does not distinguish borders or barriers, since its influence crosses all types of contexts and realities. In this article, we will explore in depth the many facets of Prelude and fugue, analyzing its implications and consequences in different areas of daily life.

A prelude and fugue is a musical form generally consisting of two movements in the same key for solo keyboard. In classical music, the combination of prelude and fugue is one with a long history. Many composers have written works of this kind. The use of this format is generally inspired by Johann Sebastian Bach's two books of preludes and fugues — The Well-Tempered Clavier — completed in 1722 and 1742 respectively. Bach, however, was not the first to compose such a set: Johann Caspar Ferdinand Fischer wrote a 20-key cycle in his 1702 work Ariadne musica.

A number of composers wrote sets of pieces covering all 24 major and/or minor keys. Many of these have been sets of 24 preludes and fugues, or 24 preludes.

The first movement may be alternatively titled, resulting in a Fantasy and Fugue, or a toccata and fugue, among others.

Works

The following works employ, sometimes loosely, the prelude-and-fugue format.

Composers

The composers listed below, who lived and composed in the 19th and 20th centuries, employed this format.