Portrait from Life
In this article, we will explore the topic of Portrait from Life from different perspectives, examining its impact on modern society and its relevance in today's world. Along these lines, we will delve into the most relevant aspects related to Portrait from Life, analyzing its historical importance and its influence on the development of new concepts and trends. In addition, we will address various opinions from experts in the field, as well as personal experiences that will offer a more complete and enriching vision about Portrait from Life. Synthesizing up-to-date and rigorous information, this article seeks to provide a comprehensive view on Portrait from Life, in order to give the reader a deeper and more complete understanding of this important topic.
| Portrait from Life | |
|---|---|
.jpg) British quad poster (1950s re-release) | |
| Directed by | Terence Fisher |
| Written by | |
| Story by | David Evans |
| Produced by | Antony Darnborough |
| Starring | |
| Cinematography | Jack Asher |
| Edited by | Vladimir Sagovsky |
| Music by | Benjamin Frankel |
Production company | |
| Distributed by | General Film Distributors |
Release date |
|
Running time | 90 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | £132,800[1][2] |
| Box office | £150,000 (by 1953)[1] or £136,900[2] 245,405 admissions (France)[3] |
Portrait from Life (also known as Lost Daughter and Journey into Yesterday; U.S. title: The Girl in the Painting)[4] is a 1948 British drama film directed by Terence Fisher and starring Mai Zetterling, Robert Beatty and Guy Rolfe.[5]
Plot
A British Army officer, Major Lawrence, is on leave from being stationed in occupied Germany just after WW2 when he sees a painting of a beautiful young girl called Hildegard in a London art gallery. While viewing the painting he is approached by an old man, Professor Franz Menzel, who escaped from Nazi Germany in the 1930s leaving his family behind and claims to be the young girl's father. Major Lawrence agrees to search for the young girl when he returns to Germany. On returning to Germany and after a long search Major Lawrence eventually tracks down the young girl but she is suffering from amnesia and living with a German couple who claim to be her parents. As Lawrence investigates, the circumstances of the young girl's past become more complicated.
Main cast
- Mai Zetterling as Hildegard / Lidia
- Robert Beatty as Campbell Reid
- Guy Rolfe as Major Lawrence
- Herbert Lom as Fritz Kottler Hendlemann
- Patrick Holt as Ferguson
- Arnold Marlé as Professor Franz Menzel
- Sybille Binder as Eitel Hendlemann
- Thora Hird as Mrs. Skinner
- Gerard Heinz as Heine
- Yvonne Owen as Helen
- Philo Hauser as Hans Ackermann
- Pete Murray as Lieutenant Keith
- Gordon Bell as Captain Roberts
- Nelly Arno as Anna Skutetsky[6]
- Cyril Chamberlain as Supervisor
- Betty Lynne as Interpreter
- Anthony Steel as Bridegroom
- John Blythe as Club Manager
Production
Anthony Steel has one of his earliest film appearances.[7]
Reception
Critical
The Monthly Film Bulletin wrote: "The superb acting of Mai Zetterling really makes this film; she acts with emotion and feeling, and lives the part ...The other four main characters are also very competent. Although the story is fantastic in places, it is interesting and contains little humorous touches, and realistic glimpses of camp life to display the effects of good direction and production. The lighting, camerawork and musical illustrations are all good drama, thrills and suspense, together with sufficient relief."[8]
The New York Times wrote, "the new picture at the Little Carnegie stems from an intriguing idea, and there are several very effective sequences in the drama, plus a fine performance by the Swedish actress, Mai Zetterling. Indeed, if the whole of The Girl in the Painting were as good as its parts, the posting of this notice would be a much more pleasant task. Too much, rather than too little, story and plodding direction are the principal faults"[9]
Allmovie described it as "an over-orchestrated "guilty pleasure" from the glory days of British romance pictures."[4]
Box office
Producer's receipts were £93,000 in the UK and £43,900 overseas.[2] According to Rank's own records the film had made a profit of £4,100 for the company by December 1949.[10][1]
References
- ^ a b c Spicer, Andrew (5 September 2006). Sydney Box. Manchester University Press. ISBN 9780719059995 – via Google Books.
- ^ a b c Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 354. Income is in terms of producer's share of receipts.
- ^ Box office information for Terence Fisher films in France at Box office Story
- ^ a b Hal Erickson. "Portrait from Life (1948) - Terence Fisher - Synopsis, Characteristics, Moods, Themes and Related - AllMovie". AllMovie.
- ^ "Portrait from Life". British Film Institute Collections Search. Retrieved 7 July 2024.
- ^ "Nelly Arno". BFI. Archived from the original on 16 August 2014. Retrieved 22 July 2015.
- ^ Vagg, Stephen (23 September 2020). "The Emasculation of Anthony Steel: A Cold Streak Saga". Filmink.
- ^ "Portrait from Life". The Monthly Film Bulletin. 16 (181): 3. 1 January 1949. ProQuest 1305808564 – via ProQuest.
- ^ "Movie Reviews". The New York Times. 12 August 2021.
- ^ Chapman p 70