Portato

In this article, we will delve into the fascinating world of Portato, exploring its origins, evolution and relevance in today's society. From his first appearances to his impact on everyday life, Portato has captured the attention of millions of individuals around the world. Through a deep and detailed analysis, we will examine the different aspects that make it so incredibly interesting and worth exploring. From its possible implications in the future to its meaning in the present, Portato has left an indelible mark on history, and it is essential to understand its importance today. Join us on this exciting tour of Portato and discover everything there is to know about this irresistible phenomenon.

Not to be confused with Portamento.

Portato ([porˈtaːto]; Italian past participle of portare, "to carry"), also mezzo-staccato, French notes portées,[1] in music denotes a smooth, pulsing articulation and is often notated by adding dots under slur markings.

Portato is also known as articulated legato.[2]

Description

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One type of portato notation, also used for staccato and flying spiccato.

Portato is a bowing technique for stringed instruments like violin, cello, viola and many more kinds of stringed instruments,[3] in which successive notes are gently re-articulated while being joined under a single continuing bow stroke. It achieves a kind of pulsation or undulation, rather than separating the notes. It has been notated in various ways. One early 19th-century writer, Pierre Baillot (L'art du violon, Paris, 1834), gives two alternatives: a wavy line, and dots under a slur. Later in the century a third method became common: placing "legato" dashes (tenuto) under a slur.[1] The notation with dots under slurs is ambiguous, because it is also used for very different bowings, including staccato and flying spiccato.[1][4] Currently, portato is sometimes indicated in words, by "mezzo-staccato" or "non-legato"; or can be shown by three graphic forms:

  • a slur that encompasses a phrase of staccato notes (the most common), or
  • a tenuto above a staccato mark (very often), or
  • a slur that encompasses a phrase of tenuto notes (less common).[5]

Portato is defined by some authorities as "the same as portamento".[6]

See also

References

  1. ^ a b c Walls, Peter. 2001. "Bow, §II, 3. Bowstrokes after c1780, (iii) Portato (It.; Fr. notes portées, louré)". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  2. ^ Blood, Brian. 2012. "Music Theory Online: Lesson 21: Phrasing & Articulation". Dolmetsch Organisation (Accessed 19 December 2012).
  3. ^ Anon. 2001. "Portato". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  4. ^ Walls, Peter. 2001. "Bow, §II, 3. Bowstrokes after c1780, (vi) Staccato". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  5. ^ Tsai, Chia-Fen. 2008. "Articulation". The "Thirty Caprices" of Sigfrid Karg-Elert: A Comprehensive Study. AAT 3325459. [full citation needed] ISBN 9780549808930.
  6. ^ Kennedy, Michael. 1994. "Portato". The Oxford Dictionary of Music, second edition, revised. Associate editor, Joyce Bourn. Oxford and New York: Oxford University Press. ISBN 0-19-869162-9.