In the world of Polyhymnia, there are a wide variety of opinions and approaches that can generate passionate debates. Whether due to its historical relevance, the controversy it generates, its impact on society or its influence in the cultural sphere, Polyhymnia is a topic that arouses the interest of many people around the world. In this article, we are going to explore different perspectives and aspects related to Polyhymnia, with the aim of offering a complete and enriching vision on this topic. From its origin to its evolution, through its possible consequences and future projections, Polyhymnia is a topic that deserves to be analyzed and discussed in an open and reflective manner. Join us on this journey of discovery and reflection about Polyhymnia!
Polyhymnia | |
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Goddess of Hymns | |
Member of the Muses | |
![]() Roman statue of Polyhymnia, 2nd century AD, depicting her in the act of dancing | |
Abode | Mount Olympus |
Genealogy | |
Parents | Zeus and Mnemosyne |
Siblings | Euterpe, Calliope, Urania, Clio, Erato, Thalia, Terpsichore, Melpomene and several paternal half-siblings |
Children | Orpheus, Triptolemus |
Polyhymnia (/pɒliˈhɪmniə/; Greek: Πολυύμνια, lit. 'the one of many hymns'), alternatively Polymnia (Πολύμνια), is, in Greek mythology, the Muse of sacred poetry, sacred hymn, dance and eloquence, as well as agriculture and pantomime.
Polyhymnia name comes from the Greek words "poly", meaning "many", and "hymnos", which means "praise".[1]
Polyhymnia is depicted as serious, pensive and meditative, and often holding a finger to her mouth, dressed in a long cloak and veil and resting her elbow on a pillar. Polyhymnia is also sometimes credited as being the Muse of geometry and meditation.[2]
In Bibliotheca historica, Diodorus Siculus wrote, "Polyhymnia, because by her great (polle) praises (humnesis) she brings distinction to writers whose works have won for them immortal fame...".[3]
As one of the Muses, Polyhymnia is the daughter of Zeus and the Titaness Mnemosyne. She was also described as the mother of Triptolemus by Cheimarrhoos, son of Ares,[4] and of the musician Orpheus by Apollo.[5]
On Mount Parnassus, there was a spring sacred to the Muses. It was said to flow between two big rocks above Delphi, then down into a large square basin. The water was used by the Pythia, who were priests and priestesses, for oracular purposes including divination.[2]