In this article, we are going to explore in depth the topic of Photo:, which has captured the attention of experts and hobbyists alike in recent years. Photo: is a topic of great relevance today, and its impact extends to multiple areas of daily life. Throughout this article, we will analyze different aspects and perspectives related to Photo:, with the aim of providing a comprehensive and complete vision on this topic. From its origin to its future implications, we will dive into a detailed analysis that will shed light on Photo: and its influence in various areas of society.
Established | 2015 |
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Location | Melville, Johannesburg, South Africa |
Director | John Fleetwood[1] |
Website | http://www.phototool.co.za |
Photo: is a multi-operational photography platform founded in Johannesburg, South Africa by John Fleetwood in 2015.[2][3]
Photo: promotes photography and the work of emerging and practicing Photographers, with the aim to encourage critical and experimental approaches/responses to the role of photography in our world, today. Central to its vision is the idea that photography can be a delicate tool for social change. The platform wants to encourage dialogue, exchange, critical engagement and participation through commissioning, producing and connecting photography projects and practitioners. Photo: continues to play a notable contributing role in curatorial and educational projects in South Africa, throughout the African continent and beyond.
"Five Photographers. A tribute to David Goldblatt: An exhibition of Alexia Webster, Jabulani Dhlamini, Mauro Vombe and Pierre Crocquet[11]", shown in Johannesburg (2018), and in 2019 in Maputo, Mozambique; in Maseru, Lesotho; at the National Arts Festival in Makhanda and in Durban (Aug 2019).
“Connected", Kinshasa, DRC, 2019, an exhibition of the work of the participants of the Photography Masterclass at the Academy of Fine Arts (Académie des Beaux-Arts).
“Amongst other things", Mindelo, Cabo Verde, 2019, an exhibition of the work of the 8 photographers who participated in the 2019 Catchupa Factory Residency[12] for PALOP Photographers.
“Of traps and tropes", Tunisia, 2017, as part of the inaugural Kerkennah International Photography Festival with the work of Héla Ammar (Tunisia), Matt Kay (South Africa), Meghna Singh (India, South Africa) and Simon Gush (South Africa).
“Cities and Memory", Denmark, 2016, as part of the National Biennale for Photography in Denmark, Brandts presented collections from more than 20 photographers from the BRICS countries. Under the theme Cities and Memory, Brazilian, Russian, Indian, Chinese and South African photographers work was curated to reflect on some of these transitions. With the work of Lebohang Kganye, Jansen van Staden, Moss Moeng and Siphosihle Mkhwanazi.