In today's world, Peter Bernstein (composer) has become a topic of great relevance and interest to a wide spectrum of society. Its implications range from scientific and technological aspects to social, economic and political issues. Peter Bernstein (composer) has captured the attention of experts and fans alike, generating substantial debate and discussion. Its impact is reflected in multiple areas of daily life, from the way we communicate to the way we carry out our daily activities. In this article, we will explore the various facets of Peter Bernstein (composer) and its influence on our current environment.
Peter Bernstein | |
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Born | New York City, New York, United States | April 10, 1951
Occupation | Composer |
Years active | 1973–present |
Father | Elmer Bernstein |
Peter Bernstein (born April 10, 1951) is an American film score composer,[1] and is the son of Academy Award-winning composer and conductor Elmer Bernstein, with whom he frequently collaborated.
Notable films scored or co-scored by Peter Bernstein include Silent Rage (1982), Bolero (1984), The Ewok Adventure (1984), Ewoks: The Battle for Endor (1985), My Science Project (1985),[1] Canadian Bacon (1995), Wild Wild West (1999) and Megiddo: The Omega Code 2 (2001).
He has also composed music for television series such as 21 Jump Street (1987), The New Outer Limits (1996; one episode, season 2, "Beyond the Veil"), Walker, Texas Ranger (1995; one episode, season 3, "The Big Bamboozle"), Stargate SG-1 (1997), Rough Riders (1997) and Masters of Horror (2005). He was a score consultant for Rob Simonsen for Ghostbusters: Afterlife, providing orchestration advice and feedback on Simonsen's implementation of Elmer Bernstein's Ghostbusters material.[2] He also served as score consultant for Ghostbusters: Frozen Empire.[3]