Out (1982 film) is a topic that has generated great interest and debate in recent times. With conflicting opinions and endless perspectives, this topic has captured the attention of experts, scholars and the general public. In this article, we will explore different aspects related to Out (1982 film), from its historical origin to its current impact. Through a detailed analysis and review of various sources, we will seek to elucidate the multiple facets that make up Out (1982 film), with the aim of providing our readers with a complete and up-to-date view of this topic.
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Deadly Drifter | |
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![]() DVD cover | |
Directed by | Eli Hollander |
Written by |
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Based on | Out by Ronald Sukenick |
Produced by | Eli Hollander |
Starring | Peter Coyote O-Lan Shepard Jim Haynie Danny Glover |
Cinematography | Robert Ball |
Edited by | Eli Hollander |
Music by | David Cope |
Production company | Osprey Ltd. |
Distributed by | Troma Entertainment |
Release date |
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Running time | 83 minutes |
Country | United States |
Language | English |
Out (also known as Deadly Drifter) is a 1982 satirical drama film directed by Eli Hollander. The film is based on Ronald Sukenick's 1973 novel Out.[1] It stars Peter Coyote, O-Lan Jones, and Danny Glover. The movie tells the tale of Rex (Coyote) roaming the U.S. doing various assignments for a mysterious group of "urban guerrillas" they call "Our Friends". In each meeting the person or persons designated "It" carries a hidden stick of dynamite. Director Eli Hollander summarizes the film, "A subtitle of it could be 'From Yippie to Yuppie'. And the '80s are certainly the age of yuppies. The film does kind of chronicle the history of the transformation from the '60s into the '80s."
The film is about a team, known as "Our Friends", searching for the "Old Man", who is dying. Their trip across the U.S. takes many twists and turns along the way, as is depicted through the eyes of the main character, Rex/Harrold, who ultimately questions society. Whales are part of his ultimate revelation.
The film is structured in a 10 part journey/road film across America from the East to the West. The characters appear and disappear, morphing into other personalities and often using lines from previous scenes, thus the film, though linear, is a cyclic story.