The topic of Ourselves Alone (film) is widely discussed and has generated great interest in today's society. For decades, Ourselves Alone (film) has been the subject of debate among experts from different disciplines, as well as of interest to the general public. Its relevance is undeniable and its impact extends to various areas of society. Over the years, Ourselves Alone (film) has experienced significant changes that have marked its evolution and its influence in the contemporary world. In this article, we will explore different aspects related to Ourselves Alone (film), from its origin to its impact today, with the aim of offering a comprehensive and updated vision of this very relevant topic.
Ourselves Alone | |
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Directed by | Brian Desmond Hurst |
Written by | Dudley Lesley Marjorie Deans Denis Johnston Philip MacDonald |
Starring | John Lodge John Loder |
Cinematography | Walter J. Harvey Brian Langley |
Edited by | James Corbett |
Music by | Harry Acres |
Distributed by | British International Pictures Alliance Films |
Release date |
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Running time | 68 minutes |
Country | United Kingdom |
Language | English |
Ourselves Alone (released in the US as River of Unrest)[1][2] is a 1936 British drama film depicting a love story set against the backdrop of the Irish War of Independence. The title is a translation of the Irish slogan Sinn Féin Amháin. It is directed by Brian Desmond Hurst and stars John Lodge, John Loder and Antoinette Cellier.[3][4]
The film was banned in Northern Ireland under the Civil Authorities (Special Powers) Act (Northern Ireland) 1922, but was shown in the Irish Free State and in Great Britain.[5]
The film opens in 1921 with an IRA ambush of a police convoy carrying two captured members of the IRA. Irish Police Inspector Hannay and British Captain Wiltshire of the Royal Intelligence Corps are both in love with Maureen Elliot, a sister of the IRA leader. The IRA leader is subsequently shot by Wiltshire. Hannay realises that Maureen is in love with Wiltshire and, as a final gesture, takes the blame for shooting her brother himself. Maureen then helps Captain Wiltshire escape an IRA trap.
One of the earliest reviews (on 10 May 1936) identifies this film as director, Brian Desmond Hurst's breakthrough film, under the banner headline Hitchcock... Capra.... Desmond-Hurst " on B.I.P's "little heard of" 'Ourselves Alone' it states "Remarkably little publicity concerning this production has reached the public, but among those concerned in the business (this time I won't say 'racket') whispers have gone round, like they often do, that it would be worth watching. That whisper should become a shout."
A reviewer in the Irish Times (17 August 1936) under the heading 'Film of the year' stated "If there was any betting on film results I would like to have a little flutter on Ourselves Alone".
Novelist Graham Greene, then film reviewer for The Spectator, noted in July 1936 that this film had been favourably compared to The Informer (1935) by other critics, but dissented from this opinion himself. "One of the silliest pictures which even an English studio has yet managed to turn out", he wrote.[6]
The film was voted the seventh best British movie of 1936.[7]
Theirs is the Glory: Arnhem, Hurst and Conflict on Film takes Hurst's Battle of Arnhem epic as its centrepiece and then chronicles Hurst's life and experiences during the First World War and profiles each of his other nine films on conflict, including Ourselves Alone.[8]