Nowadays, Orlin Anastassov is a topic that has gained great relevance in society. It is a topic that has generated interest and debate in different sectors, since its impact has been felt in different spheres of daily life. From Orlin Anastassov, people from different fields have expressed their opinion and have sought to thoroughly understand the different nuances it covers. In this article, we will explore Orlin Anastassov in depth, analyzing its various facets and its influence today. Through a detailed and rigorous approach, we aim to provide a comprehensive view on Orlin Anastassov and its importance in contemporary society.
Orlin Anastassov | |
---|---|
Орлин Анастасов | |
Born | 1976 (age 48–49) Russe, Bulgaria |
Nationality | Bulgarian |
Occupation | Opera singer (bass) |
Years active | 1996–present |
Notable work | Verdi's Requiem, Aida, Turandot, Attila |
Awards | First Prize, Operalia (1999) |
Orlin Anastassov (Bulgarian: Орлин Анастасов) (born 1976) is a Bulgarian opera singer with an active international career performing leading bass roles. A winner of the 1999 Operalia competition, he has also performed many times as the bass soloist in the Verdi Requiem.
Anastassov was born in Russe, a city in northeastern Bulgaria. Both his parents were opera singers. He made had his operatic debut at the age of 20 as The King of Egypt in Aida at the Rousse State Opera.[1] He won First Prize in the 1999 Operalia competition,[2] and went on to make his debut at La Scala in Milan as Don Basilio in The Barber of Seville that same year. He has since returned there as Timur in Turandot (2004), as Ramfis in Aida (2007), and in the title role of Attila (2011).[3] He has also performed at The Royal Opera House in London,[4] New York's Metropolitan Opera House,[5] the Vienna Staatsoper and other major houses around the world.[6]