Today, One Night in Rome is a topic that arouses great interest and debate in society. Since its emergence, One Night in Rome has captured the attention of experts and the general public, generating discussions and controversies around its importance and impact in different areas. Whether due to its historical relevance, its impact on daily life or its involvement in current issues, One Night in Rome has become a topic of unavoidable interest for those seeking to understand the complexity of the contemporary world. In this article, we will explore various aspects related to One Night in Rome, analyzing its influence and providing different perspectives that invite reflection and critical analysis.
One Night in Rome | |
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Directed by | Clarence G. Badger |
Written by | J. Hartley Manners |
Based on | One Night in Rome by J. Hartley Manners |
Produced by | Metro Goldwyn |
Starring | Laurette Taylor Warner Oland Alan Hale Tom Moore |
Cinematography | Rudolph J. Bergquist |
Distributed by | Metro-Goldwyn |
Release date |
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Running time | 70 minutes |
Country | United States |
Language | Silent (English intertitles) |
One Night in Rome is a 1924 American silent drama film starring Laurette Taylor. The film was directed by Clarence G. Badger and written by J. Hartley Manners, Taylor's husband, and based upon his play of the same name. Laurette Taylor was a great name of the American theatre, who made only three films in a triumph-studded career, all of them derived from plays by her husband.[1] This was the last of those three films (the previous two had been done by Metro Pictures). Taylor seems to have enjoyed making One Night in Rome as she kept a personal print of the movie to always show guests at her home, re-running it over and over again.[2]
Madame L'Enigme is a fortune-teller whose client Mario recognises her as a woman who disappeared in a cloud of scandal after her husband's suicide.
A print of One Night in Rome survives in the Gosfilmofond archive in Moscow.[3][4]