In this article we are going to explore One Man's Way, a topic that has captured the interest of many people in recent times. One Man's Way is a source of debate and discussion in today's society, and has an important impact on various aspects of daily life. Throughout this article, we will examine different perspectives and opinions on One Man's Way, as well as its relevance to our culture, history, and future. With a critical and reflective look, we will try to shed light on this topic that is so relevant today, offering different approaches and arguments that invite reflection and debate.
One Man's Way | |
---|---|
![]() Theatrical release poster | |
Directed by | Denis Sanders |
Screenplay by | John W. Bloch Eleanore Griffin |
Produced by | Frank Ross |
Starring | Don Murray Diana Hyland William Windom Virginia Christine Carol Ohmart Veronica Cartwright |
Cinematography | Ernest Laszlo |
Edited by | Philip W. Anderson |
Music by | Richard Markowitz |
Production company | Frank Ross Productions |
Distributed by | United Artists |
Release date |
|
Running time | 105 minutes |
Country | United States |
Language | English |
One Man's Way is a 1963 American drama film directed by Denis Sanders and written by John W. Bloch and Eleanore Griffin. The film stars Don Murray as the preacher and author Norman Vincent Peale. The cast also includes Diana Hyland, William Windom, Virginia Christine, Carol Ohmart and Veronica Cartwright.[1]
The film was released on December 23, 1963, by United Artists.
As a young man, Norman Vincent Peale is working in Detroit as a crime reporter for a newspaper. Saddened by the tragedies he witnesses or writes about, Peale enters a seminary. He moves to New York City, becoming a minister and writing a best-selling book, The Power of Positive Thinking, that also becomes controversial. After a considerable amount of soul-searching that leads him to the brink of leaving his vocation, Peale decides to continue with his work.
In the New York Times, film critic Howard Thompson wrote, "As a biographical tribute to one of America's best-known Protestant clergymen, the picture is thoughtful and genteel," adding that it is "a worthy movie" that "sustains an unpretentious tone from start to finish."[2]