In this article, we will delve into the topic of Neutra/Maxwell House, exploring its different facets and its relevance today. _Var1 is a topic that has aroused great interest in different areas, from science to popular culture, and its impact has been significant on society. Throughout history, Neutra/Maxwell House has played a fundamental role in people's lives, influencing their decisions, their beliefs, and their way of interacting with the world around them. Furthermore, Neutra/Maxwell House has been the subject of debate and analysis on numerous occasions, which has contributed to enriching our understanding of this particular issue. In the next lines, we will examine in detail the various aspects of Neutra/Maxwell House and their importance in the current context.
This article relies largely or entirely on a single source. (August 2023) |
Neutra/Maxwell House | |
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![]() Forthmann House | |
Location | 822 E Edgeware Rd, Angelino Heights, Los Angeles, California |
Built | 1941 |
Architect | Richard Neutra |
Architectural style(s) | Mid-Century Modern |
Designated | July 8, 2005[1] |
Reference no. | 808 |
Neutra/Maxwell House, referred to as the Maxwell House, is a Los Angeles Historic-Cultural Monument (No. 808) located in Angelino Heights, Los Angeles, California. It is a 1,200-square-foot (110 m2) Mid-Century modern house built c.1941, designed by Richard Neutra. It was relocated in 2008 from its original location at 475 North Bowling Green Way in Brentwood, Los Angeles thanks to the efforts of Barbara Behm. The Charles and Sybil Maxwell House was designed and built by Neutra for the two musicians, she a violinist and he a composer, who wanted "acoustically suitable living quarters" on a budget of $6,750. Her practice room is farthest away from the composers study. There is a nice integration of sloping and flat roofs with the introduction of a glass triangle into the redwood siding. It was with this project that Neutra first experimented with the peaked roof and triangular glazed gable openings that later became a trademark of the firm when pitched roofs were mandated by city building codes. Further, this design element profoundly influenced the design of American suburban architecture in the 1950s and 60s.