Mugo
In this article, we will thoroughly explore the topic of Mugo and everything that it entails. From its origin to its impact on today's society, we will analyze all facets of this fascinating topic. Throughout history, Mugo has played a crucial role in shaping the identity and culture of different societies, and it is essential to understand its influence in the modern world. Through a multidisciplinary approach, we will examine Mugo from different perspectives, including its political, social, economic and cultural implications. Additionally, we will look at how Mugo has evolved over time and how it has impacted the way we live and think today. This article aims to provide a comprehensive view of Mugo, aiming to shed light on a topic that is relevant to everyone.
| Mugo | |
 Mugo performance depicted in Gojong Imin Jinyeon Dobyeong | |
| Korean name | |
|---|---|
| Hangul | 무고 |
| Hanja | |
| Revised Romanization | Mugo |
| McCune–Reischauer | Mugo |
Mugo (Korean: 무고) is a jeongjae (정재; 呈才): a Korean court dance performed using drums. It was created in the Goryeo period. It also practiced in ritual dance of Seungjeonmu. Its name comprises the two words, mu (무, 舞) and go (고, 鼓) literally meaning dance and drum in Korean respectively.
Origins
According to "Akji" (악지, 樂志), two books from "Goryeosa" (고려사 高麗史) which describe the music of Goryeo dynasty, mugo originated from a government officer, Lee Hon (hangul:이혼, Hanja:李混) during the reign of King Chungnyeol (reign. 1274 – 1308). While being exiled to Yonghae (영해, 寧海), a coastal region in North Gyeongsang Province, Lee Hon one day made a large drum of a log raft and played it while dancing. Later this dance was transmitted to the Joseon dynasty and was performed at various events of the Korean palaces and local government offices.[1]
There has always been changes in the performance of "Mugo" per each time period since the Goryeo dynasty. The performance was played by Gisaeng who was hitting the drum and singing the song of Jeongeupsa (정읍사 井邑詞). As the number of drums changes, the number of Gisaeng also changes. Depending on the number of drums, the name also changed to two-drum dance, four-drum dance and eight-drum dance.[2]
Forms
Eight dancers perform with one large drum placed on the center of the stage. The main dancers called wonmu (원무), and the assisting dancers called hyeopmu (협무). Four dancers hold a drumstick in each hand, surround and play the drum; the others, holding a flower-shaped stick in each hand, form an outer circle. The dancers wear a jacket of which the color represents a certain direction: black-north, red-south, blue-east, and white-west.[3]
Music
Mugo is accompanied with court music Dongdongok (동돈곡) and Muaegok (무애곡) during the Goryeo period.
See also
References
- ^ "Mugo (무고 舞鼓)" (in Korean). Yesullo (예술로).[permanent dead link]
- ^ "Study on Goryeosa, Akhak Gwebeom, Daeakhoobo, Hankookgayo (Yoonje Jo, Eulyoo Publishing, 1948), Yeoyo Jeonju(Joodong Yang, Eulyoo Publishing, 1947)". Enjoy Jeongeup Tour. September 12, 2007. Archived from the original on September 29, 2007. Retrieved September 12, 2007.
- ^ "Mugo (Drum Dance)". The National Center for Korean Traditional Performing. September 12, 2007.[permanent dead link]
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