In today's article we are going to talk about Muff Winwood. This is a topic that has gained great relevance in recent years and has aroused the interest of many people. Muff Winwood is a topic that covers a wide range of aspects and can be applied to different areas of life. In this article we will explore different aspects of Muff Winwood, from its historical origin to its impact on today's society. Furthermore, we will analyze how Muff Winwood has evolved over time and what are the future perspectives on this topic. Do not miss it!
Muff Winwood | |
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![]() Muff Winwood (on left) playing bass guitar for the Spencer Davis Group in Amsterdam, 1966 | |
Background information | |
Birth name | Mervyn Winwood |
Born | Erdington, Birmingham, England | 15 June 1943
Genres | Rock, pop |
Mervyn "Muff" Winwood (born 15 June 1943, Erdington, Birmingham, England) is an English songwriter and record producer. The elder brother of Steve Winwood, both were members of The Spencer Davis Group in the 1960s, in which Muff played bass guitar.[1] Following his departure from the group he became an A&R executive and record producer.
Winwood's father, Lawrence, was a foundryman by trade, who also played tenor saxophone in dance bands and had a collection of jazz and blues records. Winwood attended Cranbourne Road Primary School and the new Great Barr School (one of the first comprehensive schools) and was a choir boy at St John's Church in the Perry Barr neighborhood of Birmingham. He first became interested in the guitar, then the bass. He was nicknamed "Muff" after the popular 1950s children's TV character Muffin the Mule.[2]
His younger brother is Steve Winwood.
The Spencer Davis Group was formed after Davis saw the Winwood brothers (Muff and Steve) at a Birmingham pub called the Golden Eagle, performing as the Muff Woody Jazz Band.[3] The Group made their debut at the Eagle and subsequently had a Monday-night residency there.[4] The Spencer Davis Group had hits such as "Gimme Some Lovin'", "Keep On Running", and "I'm a Man". Steve Winwood left in 1967, and Muff soon followed.
After leaving the Spencer Davis Group in 1967, Winwood moved within the music industry to a position as A&R executive at Island Records.[1] He was there until 1978, when he became an executive at the British office of CBS Records (which later became Sony Music), where he remained until well into the 1990s.[5] As part of his A&R duties, Winwood signed Prefab Sprout, Terence Trent D'Arby, Sade, Shakin' Stevens and The Psychedelic Furs amongst others.[1]
In 1974, Winwood produced the Sparks hit album, Kimono My House along with its hit singles, "This Town Ain't Big Enough for Both of Us" and "Amateur Hour".[1] He also produced their other 1974 album, Propaganda (which included the "Never Turn Your Back on Mother Earth" single). Later, he produced the first Dire Straits album (1978).[1]
His other work included production with The Fabulous Poodles, Marianne Faithfull, Nirvana (the UK band), Sutherland Brothers ("Sailing"), Traffic, Mott the Hoople, Love Affair, Kevin Ayers, Patto, Unicorn,[6] After the Fire and The Noel Redding Band.
Year | Title | Details |
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1965 | Their First LP |
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1966 | The Second Album |
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Autumn '66 |
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Year | Title | Details |
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1965 | You Put the Hurt on Me |
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Every Little Bit Hurts |
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1966 | Sittin' and Thinkin' |
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Year | Single |
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1964 | "Dimples" |
"I Can't Stand It" | |
1965 | "Every Little Bit Hurts" |
"Strong Love" | |
"Keep On Running" | |
1966 | "Somebody Help Me" |
"This Hammer" (Norway and Sweden-only release) | |
"Sittin' and Thinkin'" (Netherlands-only release) | |
"When I Come Home" | |
"Together 'Til the End of Time" (Norway-only release) | |
"Take This Hurt Off Me" (Norway-only release) | |
"Georgia on My Mind" (Netherlands-only release) | |
"Gimme Some Lovin'" | |
"Det war in Schöneberg" (Germany-only release) | |
"High Time Baby" (Norway-only release) |