In this article, we will approach the topic of Mucho Calor from different perspectives, with the aim of providing a complete and detailed view on this matter. We will explore its origins, its evolution over time, its relevance today and possible implications for the future. We will delve into its impact in various areas, from science to popular culture, including politics and economics. Additionally, we will analyze expert opinions and people's experiences related to Mucho Calor, in order to shed light on its many facets and lesser-known aspects. Ultimately, this article will be a complete guide for those interested in thoroughly understanding Mucho Calor and all its implications.
Mucho Calor | ||||
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Studio album by | ||||
Released | 1957 | |||
Recorded | October 3, 1957 Forum Theatre, Los Angeles, CA | |||
Genre | Jazz | |||
Label | Andex A 3002 | |||
Conte Candoli chronology | ||||
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Art Pepper chronology | ||||
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Mucho Calor (subtitled A Presentation in Latin Jazz) is an album by trumpeter Conte Candoli and alto saxophonist Art Pepper in an octet with tenor saxophonist Bill Perkins, pianist Russ Freeman, bassist Ben Tucker, drummer Chuck Flores and percussionists Jack Costanzo and Mike Pacheko recorded in 1957 and originally released on the Andex label.[1][2]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The AllMusic review by Scott Yanow noted: "the music is quite jazz-oriented if a touch lightweight. Worth investigating by fans of the idiom".[3]