Mizmar (instrument)

This article addresses the topic of Mizmar (instrument), which has generated great interest in various areas. Mizmar (instrument) has captured the attention of experts, enthusiasts and the general public, making it relevant to analyze and delve into this topic. Throughout history, Mizmar (instrument) has played a prominent role in different contexts, influencing social, cultural, political, economic aspects, among others. Therefore, it is imperative to thoroughly explore this topic to understand its impact and relevance today. Through the detailed exploration of Mizmar (instrument), we seek to provide the reader with a complete and updated vision of this topic, in order to contribute to the enrichment of knowledge and understanding of its importance.

Mizmar
Egyptian Musicians playing the traditional mizmar (center), between ney flute and goblet drum.
Classification Double reed
Related instruments

In Arabic music, a mizmār (Arabic: مزمار‎; plural مَزَامِير mazāmīr) is any single or double reed wind instrument. In Egypt, the term mizmar usually refers to the conical shawm that is called zurna in Turkey and Armenia.

Mizmar is also a term used for a group of musicians, usually a duo or trio, that play a mizmar instrument along with an accompaniment of one or two double-sided bass drums, known in Arabic as tabl baladi or simply tabl.

Mizmars are usually played in Egypt at either weddings or as an accompaniment to belly dancers. At Egyptian weddings, the Mizmar Baldi is accompanied with a belly dancer to greet the bride and groom.[1]

In The Arabian Peninsula, Iraq, Jordan, Lebanon, the Palestinian Territories, and Syria, it is influenced by the Anatolian/Armenian zurna, a higher-pitched version of the mizmar, and may also be known in those countries as a zamr (زمر)[2] or zamour, as well as mizmar. In Algeria a similar instrument is called ghaita or rhaita (غيطة).[3] Along with belly dancing, the mizmar may accompany the dabke, a folkloric line dance done in Jordan, Lebanon, Syria, Palestine, and Iraq.

See also

References

  1. ^ "The New Sound of Egyptian Wedding Rave Is Coming to London", vice.com, 16 October 2014
  2. ^ Berger, Shlomo; Brocke, Michael; Zwiep, Irene (2003). Zutot 2002. Dordrecht: Kluwer Academic Publishers. p. 133. ISBN 1402013248.
  3. ^ Brown, David. Oriental Oboes and Shawms Archived 2017-06-16 at the Wayback Machine larkinam.com


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