In today's world, Miss Modular is a topic that has captured the attention of people of all ages and interests. Whether due to its relevance in today's society, its impact on history or its influence on popular culture, Miss Modular has become a point of interest for many. Over the years, it has generated debates, research and conflicting opinions, leading to greater interest in understanding its dimensions and consequences. In this article, we will thoroughly explore Miss Modular and its importance in today's world, providing a complete and objective perspective on this very relevant topic.
Miss Modular | ||||
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EP by | ||||
Released | 1 September 1997 | |||
Recorded | March 1997 – August 1997 | |||
Genre | Art pop | |||
Length | 16:04 | |||
Label | Duophonic (UK) | |||
Stereolab chronology | ||||
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Miss Modular is a 1997 EP by the post-rock band Stereolab. The title track served as the lead single from their album Dots and Loops.[2] It was produced in collaboration with the group Mouse on Mars.[3] Dan the Automator remixed the title track.[4]
All four of its tracks were re-released on the Oscillons from the Anti-Sun compilation.
AllMusic wrote: "Digitally assembled from isolated studio elements, the aptly titled 'Miss Modular' is musique concrète pop, a bubbly yet plainly synthetic effort that walks the tightrope between art and artifice."[1]
In the UK, the "Refractions in the Plastic Pulse" and "Contronatura" remixes were released as a limited edition 12" single.