Mia Pankau
In today's world, Mia Pankau has become a topic of great relevance and interest to a wide spectrum of society. From its impact on people's daily lives to its influence on the economy and politics, Mia Pankau has managed to capture attention and spark passionate debates in different areas. With the passage of time, its importance and impact have increased, which has generated a growing interest in understanding its nature, its implications and its possible future consequences. In this article, we will further explore the phenomenon of Mia Pankau and discuss its significance in the current context.
Mia Pankau | |
|---|---|
| Born | 14 February 1891 |
| Died | 6 November 1974 |
| Other names | Martha Elisabeth Pankau |
| Occupation | Actress |
| Years active | 1917–1931 (film) |
Mia Pankau (1891–1974) was a German film actress.[1] She was married to the director Jaap Speyer, who directed her in a number of films during the silent era.
Selected filmography
- Hedda's Revenge (1919)
- Lilli (1919)
- Lilli's Marriage (1919)
- The Red Night (1921)
- King of Women (1923)
- Jimmy: The Tale of a Girl and Her Bear (1923)
- The Almighty Dollar (1923)
- The Elegant Bunch (1925)
- Letters Which Never Reached Him (1925)
- The Morals of the Alley (1925)
- White Slave Traffic (1926)
- Hotel Rats (1927)
- The Three Women of Urban Hell (1928)
- The First Kiss (1928)
- The Last Testament (1929)
References
- ^ Grange p.148
Bibliography
- Grange, William. Cultural Chronicle of the Weimar Republic. Scarecrow Press, 2008.
External links
- Mia Pankau at IMDb
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