Max Ferner

Nowadays, Max Ferner has become a topic of great relevance and interest to a wide variety of people. From its impact on daily life to its influence on society in general, Max Ferner has been the subject of constant debate, analysis and reflection. Its relevance ranges from the field of technology to culture, including economics and politics. Max Ferner has captured the attention of people of all ages and from different professional fields, awakening an interest that goes beyond geographical and cultural borders. In this article, we will explore in depth the impact of Max Ferner on our lives and the world around us, offering a comprehensive analysis that will encompass various perspectives and approaches.

Max Ferner was a German playwright, born Maximilian Sommer on 18 April 1881.[1] He died in Munich at the age of 59 on 9 October 1940.

Ferner teamed up with his friend Max Neal to write librettos for two operettas for the Austrian composer Karl Michael Ziehrer, which were performed in September 1913 and again in February 1916.

Ferner also wrote and co-wrote with Neal a series of plays, many of which were later converted to movies.

Plays

  • Der müde Theodor (1913, co-author Max Neal)
  • Fürst Casimir, operetta by Karl Michael Ziehrer (1913, co-author Max Neal)
  • Im siebenten Himmel, operetta by Karl Michael Ziehrer (1916, co-author Max Neal)
  • Die drei Dorfheiligen (1920, co-author Max Neal)
  • Der Hunderter im Westentaschl (1935, co-author Max Neal)

Filmography

Screenwriter

References

  1. ^ Max Ferner at IMDb