In today's article we are going to delve into Mats Olausson, a topic that has captured the attention of many people in recent times. Whether for its relevance in today's society, its impact on everyday life or its historical importance, Mats Olausson has been the subject of debate, interest and study by experts and fans alike. From its origins to its current situation, through its influence in different areas and its evolution over time, Mats Olausson is a topic that deserves to be explored in detail and exhaustively. In this article, we will delve into its different facets, analyze its implications and discover its true meaning in the current context.
Mats Olausson | |
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Born | Gothenburg, Sweden[1] | April 17, 1961
Died | 18 February 2015 Rayong, Thailand | (aged 53)
Genres | Power metal, progressive metal, symphonic metal |
Occupation(s) | Musician, songwriter, producer |
Instrument | Keyboards |
Years active | c. 1980–2015 |
Mats Johan Olausson (17 April 1961 – 18 February 2015)[2][3] was a Swedish keyboard player known from bands such as Yngwie Malmsteen, Ark,[4] Evil Masquerade, Kamelot, Jean Beauvoir, John Norum, and many others. Later in his life, he lived in Thailand where he was active as a musician, composer and producer. Olausson played Korg Trinity Pro Tri PBS and Yamaha SY-99, SY-77, CS-80. In the studio he also used a grand piano, Hammond B-3 or C-3. He was born in Gothenburg, Sweden.[5]
On 19 February 2015, Olausson's body was found in a hotel in Thailand, having died at least 24 hours earlier. He was 53S.[6]