In this article, we are going to explore the topic of Mark Day (film editor) and how it has impacted various aspects of society. Since its emergence, Mark Day (film editor) has captured the attention of millions of people around the world, generating debates and controversies around its relevance and repercussions. Over time, Mark Day (film editor) has demonstrated its influence in fields as diverse as economics, politics, culture and technology, and its presence continues to be a driving force that shapes the course of history and human development. Through this analysis, we will discover the multiple aspects that articulate the phenomenon of Mark Day (film editor) and its meaning today.
Mark Day | |
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Born | London, England | 22 February 1961
Nationality | British |
Occupation | Film editor |
Years active | 1986–present |
Known for | Harry Potter film series |
Mark Day (born 22 February 1961) is a British film editor. He won two BAFTA Awards for Best Editing for State of Play and Sex Traffic, both directed by David Yates with whom Day also worked with on The Way We Live Now, The Young Visiters and The Girl in the Café; the former two projects gained Day two Royal Television Society award nominations for Best Tape and Film Editing along with two BAFTA nominations and the latter project gained Day a Primetime Emmy Award nomination for Outstanding Single-Camera Picture Editing.[1][2] Day also worked with Yates on The Sins and the final four Harry Potter films: Order of the Phoenix, Half-Blood Prince, Deathly Hallows – Part 1 and Deathly Hallows – Part 2. Day has edited over thirty television films and dramas.