Marie-Anne Colson-Malleville

In today's world, Marie-Anne Colson-Malleville has become a topic of great importance and interest to a wide variety of people. Whether we are talking about Marie-Anne Colson-Malleville as a historical figure, an abstract concept or a current topic, its relevance and impact transcend barriers and borders, impacting people of different ages, cultures and professions. In this article, we will seek to explore and analyze different aspects related to Marie-Anne Colson-Malleville, with the aim of providing a comprehensive and enriching vision of this topic that is so significant today.

Marie-Anne Colson-Malleville
Born
Marie Anne Françoise Mareau

8 February 1892
Sainte-Gemmes-sur-Loire
Died11 March 1971
Paris
Other namesM. A. Colson-Malleville, M. A. Malleville
OccupationFilm director
PartnerGermaine Dulac
RelativesPierre Filmon (grand-nephew)

Marie-Anne Colson-Malleville (8 February 1892 – 11 March 1971), born Marie Anne Françoise Mareau, was a French film director, best known for her short documentary films about Algeria. She was the partner of director Germaine Dulac from the 1920s until Dulac's death in 1942.

Early life

Marie Anne Françoise Mareau was born in Sainte-Gemmes-sur-Loire in 1892.

Career

Colson-Malleville worked as a teacher and as a film programmer as a young woman.[1] She was assistant director on five silent films directed by her partner Germaine Dulac in the 1920s: Gossette (1923), Celles qui s'en font (1923), Heart of an Actress (1924), The Devil in the City (1925), and L'Invitation au voyage (1930). After Dulac's death, Colson-Malleville returned to filmwork, and directed documentaries including Doigts de lumière (1949), Baba Ali (1952),[2] Des rails sous les palmiers (1952), Tapisseries de l'apocalypse (1956),[3] A la sueur de ton front (1957),[4] and Pierre de Lune (1960).[5] Many of her short documentary films were made in and about French Algeria.[6] Colson-Malleville also wrote songs, and organized gatherings on film history.[1]

Colson-Malleville preserved Germaine Dulac's papers and correspondence, which were eventually archived as Fonds Marie-Anne Colson-Malleville at the Bibliothèque du Film in Paris,[7][8] and lectures on film, which were recently published as What is Cinema? (2019).[9][10]

Personal life

Colson-Malleville and Germaine Dulac were partners in both professional and private lives, from the early 1920s until Dulac's death in 1942.[11] She was married twice during her time with Dulac, to Paul Malleville and to George Colson; both men were in the French film industry who were friends with Dulac.[1] Colson-Malleville died in 1971, aged 79 years, in Paris. French filmmaker Pierre Filmon is Colson-Malleville's grand nephew, her brother's grandson.

References

  1. ^ a b c Williams, Tami (2014-06-15). Germaine Dulac: A Cinema of Sensations. University of Illinois Press. pp. 79–80. ISBN 978-0-252-09636-5.
  2. ^ "BABA-ALI (1952)". BFI. Archived from the original on June 3, 2021. Retrieved 2021-06-02.
  3. ^ "Les TAPISSERIES DE L'APOCALYPSE (1956)". BFI. Archived from the original on June 3, 2021. Retrieved 2021-06-02.
  4. ^ "A la sueur de ton front". Mémoire Filmique: Pyrénées-Méditerranée. Retrieved 2021-06-02.
  5. ^ "PIERRE DE LUNE (1960)". BFI. Archived from the original on June 3, 2021. Retrieved 2021-06-02.
  6. ^ Smith, Sharon (1975). Women who make movies. Internet Archive. New York : Hopkinson and Blake. p. 129. ISBN 978-0-911974-09-6 – via Internet Archive.{{cite book}}: CS1 maint: publisher location (link)
  7. ^ Kershaw, Dr Angela; Kimyongür, Dr Angela (2013-04-28). Women in Europe between the Wars: Politics, Culture and Society. Ashgate Publishing, Ltd. pp. 185, note 1. ISBN 978-1-4094-8970-2.
  8. ^ Flitterman-Lewis, Sandy; Flitterman-Lewis, Professor Sandy (1996). To Desire Differently: Feminism and the French Cinema. Columbia University Press. pp. 73, note 4. ISBN 978-0-231-10497-5.
  9. ^ "Book Publication: Germaine Dulac's What is Cinema?". Women Film Pioneers Project. Retrieved 2021-06-02.
  10. ^ "Germaine Dulac : What is cinema?". Les presses du réel. Retrieved 2021-06-02.
  11. ^ Koresky, Michael (2018-08-15). "Queer & Now & Then: 1928". Film Comment. Retrieved 2021-06-02.