Today we are pleased to present a new article about Manuel Rivera-Ortiz, a topic that has sparked the interest of many people in recent times. Manuel Rivera-Ortiz is a topic that has been the subject of debate and discussion in different areas, from the academic world to the popular sphere. In this article, we will explore various perspectives and approaches related to Manuel Rivera-Ortiz, with the aim of providing a comprehensive and complete view on this topic. From its history and evolution to its impact on current society, we will address different aspects that will allow us to better understand the importance and relevance that Manuel Rivera-Ortiz has today. We hope that this article is of interest to you and that it helps you expand your knowledge about Manuel Rivera-Ortiz.
Rivera-Ortiz was born into a poor family in the barrio of Pozo Hondo, outside Guayama on the Caribbean coast of Puerto Rico, the eldest of ten children (including four half-siblings and two stepsisters).[8] He grew up in a corrugated tin shack with dirt floors devoid of running water.[9][10] His father hand-chopped sugar cane in the fields of Central Machete and Central Aguirre in the declining days of the Puerto Rican sugar industry, and, following the Zafra or sugar-harvesting season, labored as a migrant farmworker in New England and the Mid-Atlantic states.[11]
When Rivera-Ortiz was 11 years old, his parents separated and his father moved with the children to the USA mainland in Holyoke, Massachusetts. The separation from his mother, whom he has not seen since, had a profound effect on Rivera-Ortiz. He attended classes at Mt. Holyoke and Springfield colleges as part of the Massachusetts Migrant Education summer program, where he was offered his first courses in photography and film development. The family later moved to Rochester, New York.[12]
Following his graduation, he worked as a journalist for newspapers (e.g. Democrat and Chronicle)[15] and magazines (e.g. Elle),[citation needed] but soon turned to photojournalism and documentary photography. In 2001, he began traveling as a freelance photographer with an emphasis on social issues and has exhibited his work in photographic exhibitions.[8][16]
In 2002, he photographed Cuba, comparing what he found there to the Puerto Rico of his youth.[26] He has exhibited photographs showing the dignity of the Dalit ("Untouchable") Caste of India[8][27] and the Aymara living in the arid altiplano of Bolivia.[28] He has also photographed people from Kenya to Turkey to Thailand.[11] His work has been featured in the April 2008 issue of Rangefinder magazine.[9] In 2010, Rivera-Ortiz visited Dharavi and Baiganwadi and took pictures of daily life in these two Mumbaislums. In 2011, he documented the September 11 Commemorations in Shanksville, Pennsylvania for the French photography organization 24h.com.[29] In 2012, the Columbia University Graduate School of Journalism featured Rivera-Ortiz' work on poverty in the developing world in its collection of 50 Great Stories produced by alumni over the past century.[13]
The work of Manuel Rivera-Ortiz demonstrates that social documentary as activism still continues to exist in the modern world.[30]
Rivera-Ortiz can be classified as a social realist with his focus on social issues and the hardships of everyday life.[31][32]
Viajeros: North American Artist / Photographers’ Images of Cuba. Bethlehem, PA: Lehigh University Art Galleries, 2005. Catalog of an exhibition held at the Dubois Gallery, Lehigh University, Bethlehem, PA, 2 November 2005 - 8 January 2006. "This exhibition consists of 59 artists featured in a multimedia project of over 100 images. It presents photographic essays, videos and single/dual images of Cuba..."
Voices in First Person. New York: Simon & Schuster, 2008. Edited by Lori Marie Carlson. ISBN1-4169-8445-3. Rivera-Ortiz provides the photographs in what the publisher describes as "A collection of monologues featuring the most respected Latino authors writing today, including Sandra Cisneros, Oscar Hijuelos, and Gary Soto."
The Manuel Rivera-Ortiz Foundation for Documentary Photography & Film is a non-profit private operating foundation headquartered in Rochester, New York. Rivera-Ortiz established the Foundation in 2010 to support underrepresented photographers and filmmakers from less developed countries with awards, grants, exhibitions, and educational programs.[47][48] The foundation operates an exhibition space in Arles, France.[49]
Collections
Columbia University Graduate School of Journalism, NY.[50]
^ abcLow, Stuart (2006-12-17). "Poverty's portrait". Rochester Democrat and Chronicle. pp. C.3 (cover story, Section C). Archived from the original on February 1, 2013. Retrieved 2010-12-29.
^ abc"Manuel Rivera-Ortiz", in Lori Marie Carlson, ed., Voices in first Person: Reflections on Latino Identity (New York: Atheneum Books for Young Readers, 2008; ISBN1-4169-0635-5); available here at Google Books.