In this article, we will delve into the exciting world of Malicool, exploring its various aspects, characteristics and possible applications in everyday life. Malicool is a topic that has aroused the interest of researchers, experts and enthusiasts, due to its relevance in different areas and its ability to influence our way of thinking, feeling and acting. Along these lines, we will analyze Malicool from different perspectives, with the aim of offering a comprehensive and enriching vision that allows the reader to better understand its importance and potential. From its origins to its future projections, Malicool reveals itself as an exciting topic that arouses curiosity and invites us to reflect on its impact on today's world.
Malicool | ||||
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Studio album by | ||||
Released | 2002 | |||
Recorded | January 15–21, 2001 | |||
Studio | Studio Bogolan, Bamako, Mali | |||
Genre | Jazz, World music | |||
Label | Sunnyside SSC 3008 | |||
Producer | Verna Gillis | |||
Roswell Rudd chronology | ||||
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Malicool (also known as MALIcool) is an album by American trombonist Roswell Rudd and Malian kora player Toumani Diabaté. It was recorded in January 2001 at Studio Bogolan in Bamako, Mali, and was released by Sunnyside Records in 2002. On the album Rudd and Diabaté are joined by balafon player Lassana Diabate, ngoni player Bassekou Kouyate, guitarist Sayon Sissoko, bassist Henry Schroy, djembe player Sekou Diabate, and vocalists Mamadou Kouyate and Dala Diabate.[1][2]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
All About Jazz | ![]() ![]() ![]() ![]() ![]() |
In a review for AllMusic, Steve Loewy wrote: "At first blush, adding Roswell Rudd to a group of native West African musicians might seem, well, stretched. Surprisingly, though, it proves a remarkably impressive combination... The trombonist is in prime form, relaxed and expansive... the band is tight and well-rehearsed, Rudd's solos rival his best, and the tunes are catchy, simple, and accessible. Fans of the trombonist or of West African music will not wish to miss the opportunity to pick up this rare and exciting collaboration."[3]
Writing for All About Jazz, John Kelman commented: "Cross-cultural exchanges are a risky business. All too often the joining feels forced and unnatural. But... Rudd and the group blend seamlessly to create a sound that is fresh, ethnically rooted and completely organic."[5] In a separate AAJ review, Elliott Simon stated: "with Malicool, Roswell Rudd has written yet another inventive chapter for the trombone... He has made a bold musical statement without changing the overall sensibility of the West African idiom. Such sensitivity is rare in world-jazz projects."[6]
In an article for Jazz Times, Javier Quinones remarked: "The shaping of musical worldviews and tempers was mutual as the repertoire itself well exemplifies... This is the record of an extraordinary international intelligible and emotive musical conversation."[7]
George Tysh of the Detroit Metro Times wrote: "In these 10 seductively relaxed and warmly grounded performances, the New World meets the Cradle of Civilization in such a symbiotic way that it's hard to disentangle the different elements — Rudd sounds like he's been playing with these guys his whole life."[8]