Madonna and Child with Two Saints and a Donor

In this article we are going to explore the fascinating world of Madonna and Child with Two Saints and a Donor. From its origins to its impact on today's society, Madonna and Child with Two Saints and a Donor has played a fundamental role in various aspects of daily life. Throughout history, Madonna and Child with Two Saints and a Donor has been a source of debate and controversy, giving rise to endless opinions and theories. In this sense, it is essential to critically and objectively analyze the influence of Madonna and Child with Two Saints and a Donor on our culture, politics, economy and daily life. Likewise, it is crucial to examine how Madonna and Child with Two Saints and a Donor has evolved over time and what the implications are of its presence today. Through this exploration, we hope to shed light on the meaning and impact of Madonna and Child with Two Saints and a Donor in the contemporary world.

Madonna and Child with Two Saints and a Donor (c. 1395–1400) by Gentile da Fabriano

Madonna and Child with Two Saints and a Donor is a c. 1395–1400 tempera and gold leaf on panel painting by the Italian artist Gentile da Fabriano, the earliest surviving major work by the artist. Probably painted for the church of Santa Caterina in Castelvecchio in Fabriano (the painter's father lived near that church from 1385 onwards after being widowed). It is now in the Gemäldegalerie in Berlin.[1][2]

On the right is Catherine of Alexandria, referring to the name of the church for which the work was probably produced. To the left is Nicholas of Bari presenting the work's donor - the latter dressed as a merchant and may be Ambrogio di Bonaventura (died between 1395 and 1408), whose golden mark (a circle with rays surmounted by a cross) is to be seen at his feet.[3]

References

  1. ^ (in Italian) Mauro Minardi, Gentile da Fabriano, Skira, Milano 2005.
  2. ^ "Thronende Maria mit dem Kind, dem Heiligen Nikolaus von Bari, der Heiligen Katharina von Alexandrien und einem Stifter". Staatliche Museen zu Berlin — Collections online. Retrieved 2024-04-18.
  3. ^ "Catalogue entry".