Currently, Ma jeunesse fout le camp... has become a topic of great importance and relevance in our society. Its impact covers different areas, from health and technology to culture and politics. Ma jeunesse fout le camp... has aroused great interest in public opinion and has generated debates and reflections on its implications and consequences. In this article, we will analyze in depth the different dimensions of Ma jeunesse fout le camp... and its influence on our lives. From its origins to its evolution over time, through its possible future scenarios, we will delve into this exciting world to more fully understand the importance of Ma jeunesse fout le camp... in contemporary society.
Ma jeunesse fout le camp... is the seventh studio album by French singer-songwriter Françoise Hardy, released in November 1967 on Disques Vogue. The title is highly idiomatic, but its general meaning in English is 'My youth is slipping away'.
The album was released halfway between her early years in the yé-yé phenomenon and her later, more singer-songwriter focused albums like La question.[2] It has been described as "her farewell to the yéyé years."[3]
Track list
Except as noted, words and music were written by Françoise Hardy, and she is accompanied by the Charles Blackwell orchestra.[4]
"Ma jeunesse fout le camp" – 3:05 Lyrics and music written by: Guy Bontempelli First performed by: Michèle Arnaud, 1962
"Viens là" – 2:25
"Mon amour adieu" – 2:20 Music written by: Hasell[5]
"Il est trop loin" – 3:40 Original title: "Sorrow" Lyrics and music written by: Peter Yarrow and Noel "Paul" Stookey First performed by: Peter, Paul and Mary, 1962 French adaptation by: Daniel Hortis and Danyel Gérard[7]
"Mais il y a des soirs" – 2:10 Accompanied by: John Paul Jones