In the article we present below, we stop to reflect on Ma (cuneiform). This theme/figure/character has aroused great interest throughout history, generating debates and analysis in various areas. In this sense, we propose to take a tour through the different edges that make up Ma (cuneiform), delving into its most relevant aspects and its implications in today's society. In this way, we will seek to delve into its meaning, its repercussions and its presence in culture, providing new perspectives and enriching knowledge about Ma (cuneiform).
The cuneiform ma sign, is found in both the 14th century BC Amarna letters and the Epic of Gilgamesh. In the Epic it is also used as the Sumerogram MA, (for Akkadian language "mina", manû, a weight measure, as MA.NA, or MA.NA.ÀM). [1] The ma sign is often used at the end of words, besides its alphabetic usage inside words as syllabic ma, elsewhere for m, or a.
The usage of cuneiform ma in the Epic of Gilgamesh, is only exceeded by the usage of a (cuneiform) (1369 times, and 58, A (Sumerogram), versus 1047 times for ma, 6 for MA (Sumerogram)).[2] The high usage for a is partially a result of the prepositional use for a-na-(Akkadian "ana", to, for, etc.); "i", also has an increased prepositional use of i (cuneiform), for Akkadian ina, (i-na), for in, into, etc.
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