In today's world, Lucía Etxebarría has become a topic of great relevance and debate. With the advancement of technology and access to information, Lucía Etxebarría has become an increasingly present topic in our lives. The importance of understanding and analyzing Lucía Etxebarría lies in its impact on different aspects of society, from politics and economics, to culture and health. In this article we will explore different perspectives and approaches on Lucía Etxebarría, with the aim of fully understanding its influence on our daily lives.
Lucía María Echevarría de Asteinza[1] (7 December 1966 in Valencia), known as Lucía Etxebarria, is a Spanish writer, winner of Premio Nadal in 1998 and Premio Planeta de Novela in 2004.
Lucía María Echevarría de Asteinza[2] was born in Valencia in 1966, daughter of José Ignacio Echevarría Gorroño and Lucía de Asteinza Stocke, of Basque parents as their names suggests, the youngest of seven children. The Basque surname Etxebarria has no diacritics, although its Spanish version Echevarría has. Etxebarría was a typo that she liked and adopted as a nom de plume, though it is not used in all her books.
Her first book was Kurt Cobain and Courtney Love's biography: La historia de Kurt y Courtney: aguanta esto (1996). Her first novel, Amor, curiosidad, prozac y dudas (1997) received Ana María Matute's support, and situated her in the Generacion Kronen scope. The following year her second novel, Beatriz y los cuerpos celestes, won the Nadal Prize.[3]
With De todo lo visible y lo invisible (2001) she won the Primavera Prize. With Un milagro en equilibrio, she obtained the 53rd Planeta Prize in 2004.[4] In addition to these books and many other titles she has published poetry; her collection Actos de placer y amor won the Barcarola Poetry Prize in 2004. She has published two collections of feminist essays, and has also worked as a scriptwriter.
In 2011, Etxebarria said she would stop writing, claiming that digital redistribution of her books had made writing not worth the effort because of piracy.[5]
She claims to have been a member of Mensa.[6]
The following bibliography is probably incomplete. Also, note that English language editions of Etxebarria's work are not currently available, and the title translations provided below may well not correspond to titles eventually used in the English edition of these books.
As a screenwriter:[7]