In this article, we are going to explore in depth the fascinating world of Loving Pablo. From its origins to its current evolution, we will discover all the facets and aspects that make Loving Pablo such an intriguing and relevant topic today. We will analyze its impact in different areas, as well as its social, cultural, and economic implications. With the help of experts and trusted sources, we will take a look at its influence on the modern world and how it has shaped the way we see and understand Loving Pablo. Prepare to be immersed in a journey that will leave you with a new understanding and appreciation for this exciting topic.
Loving Pablo | |
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Directed by | Fernando León de Aranoa |
Screenplay by |
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Based on | Loving Pablo, Hating Escobar by Virginia Vallejo[1] |
Produced by |
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Starring |
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Cinematography | Alex Catalan |
Edited by | Nacho Ruiz Capillas |
Music by | Federico Jusid |
Distributed by | Star Cinema (Philippines) |
Release dates |
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Running time | 125 minutes |
Countries | Spain, Philippines |
Language | English |
Budget | €14.6 million[2] |
Box office | $17.5 million[3] |
Loving Pablo, internationally known as Escobar, is a 2017 English-language Spanish biographical crime drama film directed by Fernando León de Aranoa, based on Virginia Vallejo's memoir Loving Pablo, Hating Escobar.[4][5] It was screened out of competition in the 74th Venice International Film Festival and in the Special Presentations section at the 2017 Toronto International Film Festival.[6]
Between 1981 and 1987, Colombian drug lord Pablo Escobar had a romantic relationship with the journalist and the television presenter, Virginia Vallejo.
Loving Pablo grossed $22,017 in the United States and Canada, and $17,5 million in other territories,[3] plus $60,312 with home video sales.[7]
On review aggregator Rotten Tomatoes, the film holds an approval rating of 31% based on 48 reviews, with a weighted average rating of 4.82/10. The website's critical consensus reads, "Loving Pablo bungles its seemingly cinematic real-life story – and a pair of talented stars – in producing a lurid biopic that adds nothing to the Escobar subgenre."[8] On Metacritic, the film has a weighted average score of 42 out of 100, based on 16 critics, indicating "mixed or average reviews".[9]