In today's world, Laughing Boy with Flute has become a topic of relevance and general interest for a wide spectrum of society. From politics to science, through culture and technology, Laughing Boy with Flute has impacted our daily lives in various ways. There are many perspectives from which Laughing Boy with Flute can be approached, and each of them offers a fascinating and constantly evolving panorama. In this article, we will explore some of the most important dimensions of Laughing Boy with Flute, analyzing its impact in different areas and its projection into the future.
Laughing Boy with Flute | |
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Laughing Boy with a Flute, c.1625 Oil on canvas, 28 cm round | |
Artist | Frans Hals |
Year | c. 1625 |
Catalogue | Seymour Slive, Catalog 1974: #27 |
Medium | Oil on canvas |
Dimensions | 28 cm diameter (11 in) |
Laughing Boy with a Flute is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in the early 1620s.
This painting was documented by Hofstede de Groot in 1910, who wrote "31. A LAUGHING BOY WITH A FLUTE. M. 240. Half-length, in profile to the left. The head is three-quarters left. The long hair falls in disorder. The lips are parted, showing the teeth. On the left the flute is held upright in the right hand. The eyes look to the left and slightly upward. Lifelike colour in the face. Circular panel, n| inches across the grain of the wood running diagonally. A copy is in the Boucher de Perthes Museum, Abbeville. In the collection of the late Alfred Beit, London. In the collection of Otto Beit, London."[1]
Hofstede de Groot noted several laughing boys by Hals along with this one (catalogue numbers 11 through to 39). This painting was also documented by W.R. Valentiner in 1923.[2]
Other boys painted by Hals in round tondos: