In today's world, Land of Love is a topic that has become increasingly relevant. Whether in the political, social, scientific or cultural sphere, Land of Love has captured the attention of people from all walks of life. Its impact has been felt significantly in different aspects of daily life, generating debate, reflection and action. In this article, we will explore different aspects related to Land of Love, analyzing its implications, origin, development and future perspectives. There is no doubt that Land of Love has marked a turning point in our society, and understanding its scope is essential to understand the current context and possible trends to follow.
Land of Love | |
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Directed by | Reinhold Schünzel |
Written by |
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Produced by | Georg Witt |
Starring | |
Cinematography | Werner Bohne |
Edited by | Arnfried Heyne |
Music by | Alois Melichar |
Production company | Georg Witt-Film |
Distributed by | Tobis Film |
Release date |
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Running time | 91 minutes |
Country | Germany |
Language | German |
Land of Love (German: Land der Liebe) is a 1937 German romance film directed by Reinhold Schünzel and starring Albert Matterstock, Gusti Huber and Valerie von Martens.[1] It was shot at the Bavaria Studios in Munich and the Johannisthal Studios in Berlin.[2] The film's sets were designed by the art directors Wilhelm Depenau, Kurt Dürnhöfer and Ludwig Reiber. Although Schünzel was Jewish, he had been allowed to continue directing films in Germany after the Nazi takeover. However, this film faced objections from the censors and from Joseph Goebbels. It was briefly shown and then disappeared from cinemas.[3] It was Schünzel's final German film as director, and he went into exile shortly afterwards.