In this article, we will explore the impact of Kōda Rohan on different aspects of society. From its emergence to the present, Kōda Rohan has played a fundamental role in the way we interact, communicate and understand the world around us. Throughout history, Kōda Rohan has been the subject of debate and analysis, and its influence has been felt in fields as diverse as politics, technology, the arts, and popular culture. Through an interdisciplinary approach, we will closely examine how Kōda Rohan has shaped our experiences and perspectives, and what implications it has for the future.
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Kōda Rohan | |
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Born | Kōda Shigeyuki 23 July 1867 Tokyo, Japan |
Died | 30 July 1947 Tokyo, Japan | (aged 80)
Other names | 幸田 露伴、幸田 成行 |
Occupation | author |
Family | Nobu Kōda (sister), Kou Ando (sister) |
Kōda Shigeyuki (幸田 成行, 23 July 1867 – 30 July 1947), pen name Kōda Rohan (幸田 露伴), was a Japanese author. His daughter, Aya Kōda, was also a noted author who often wrote about him.
Kōda wrote "The Icon of Liberty", also known as "The Buddha of Art" or "The Elegant Buddha", in 1889. A house (Kagyu-an or "snail cottage") in which Kōda lived was rebuilt in 1972 by the Meiji Mura museum. Kōda was one of the first persons to be awarded the Order of Culture when it was established in 1937.
Rohan was born in the Kanda District of Tokyo. He went to Hibiya High School and Aoyama Gakuin, but he did not graduate from both schools. He was the son of Koda Shigenobu (1839?--1914) and Koda Yu (1842?-1919), whose father was Koda Ritei, a samurai official serving under the local daimyō. Rohan's childhood name was Tetsushiro ("shiro" implying the fourth son) Shigeyuki.