In today's world, Kona Edaithe is a topic that has captured the attention of millions of people around the world. Its influence extends across different aspects of everyday life, from politics to popular culture. Kona Edaithe has generated heated debates and inspired countless research and publications. Whether it is a character, a historical event, or even an abstract concept, Kona Edaithe has managed to leave an indelible mark on contemporary society. In this article, we will thoroughly explore the importance and impact of Kona Edaithe, examining its many facets and its relevance in today's world.
Kona Eedaithe | |
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Directed by | B. Jayashree Devi |
Written by | Abhaya Katha Vibhaga |
Produced by | J. K. Bharavi |
Starring | Vishnuvardhan Kumar Govind Sudharani Vinaya Prasad |
Cinematography | H. G. Raju |
Edited by | S. Prasad |
Music by | Hamsalekha |
Production company | Vennela International Films |
Release date |
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Running time | 109 minutes |
Country | India |
Language | Kannada |
Kona Eedaithe is a 1995 Indian Kannada-language legal comedy drama film directed by B. Jayashree Devi and produced by J. K. Bharavi.[1] The story is adapted from Abhaya Katha Vibhaga movie company.[2] The film starred Vishnuvardhan,[3] Kumar Govind, Vinaya Prasad and Vanitha Vasu while Sudharani made a guest appearance. The film's music is scored by Hamsalekha whilst the cinematography is by H. G. Raju.
The music of the film was composed and lyrics written by Hamsalekha. After release, the soundtrack was well received and the song "Aaha Namma Konake Seemantha" became very popular. Audio was released on Jhankar Music label.
No. | Title | Lyrics | Singer(s) | Length |
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1. | "Baa Seeti Hodi" | Hamsalekha | K. S. Chithra | |
2. | "Jackie Chan" | Hamsalekha | S. Janaki, Rajesh Krishnan | |
3. | "Oh Love" | Hamsalekha | Rajesh Krishnan, K. S. Chithra | |
4. | "Gattina Nindu Heartu" | Hamsalekha | S. P. Balasubrahmanyam | |
5. | "Aaha Namma Konake Seemantha" | Hamsalekha | C. Ashwath, Rajesh Krishnan | |
6. | "Baa Seeti Hodi" | Hamsalekha | S. P. Balasubrahmanyam |