Kirigami

The issue of Kirigami is of great importance today, as it affects a wide spectrum of people and has significant repercussions in various areas of life. In this article, we will explore in depth the different facets of Kirigami and analyze its impact on society, economy and culture. In addition, we will examine the different approaches and opinions on Kirigami, with the aim of providing a comprehensive and enriching vision on this topic. Through a detailed and exhaustive analysis, we aim to shed light on Kirigami and offer new perspectives that invite reflection and debate.

Kirigami

Kirigami (切り紙) is a variation of origami, the Japanese art of folding paper. In kirigami, the paper is cut as well as being folded, resulting in a three-dimensional design that stands away from the page. Kirigami typically does not use glue.

Overview

In the United States, the term kirigami was coined by Florence Temko from Japanese kiri, 'cut', and kami, 'paper', in the title of her 1962 book, Kirigami, the Creative Art of Paper cutting. The book achieved enough success that the word kirigami was accepted as the Western name for the art of paper cutting.[1]

Typically, kirigami starts with a folded base, which is then unfolded; cuts are then opened and flattened to make the finished design. Simple kirigami are usually symmetrical, such as snowflakes, pentagrams, or orchid blossoms. A difference between kirigami and the art of "full base", or 180-degree opening structures, is that kirigami is made out of a single piece of paper that has then been cut.

Notable kirigami artists

  • Seiji Fujishiro (born 1924–), a renowned kirie ('paper picture') artist known for his colourful kirigami, which have also been published as a book.
  • Nahoko Kojima (born 1981–), a professional contemporary Japanese kirigami artist, who pioneered sculptural, three-dimensional kirigami.

See also

References

  1. ^ "Kirigami is an art form where paper is folded & cut to create beautiful designs".